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Kong: Skull Island (2017)

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A team of scientists explore an uncharted island in the Pacific, venturing into the domain of the mighty Kong, and must fight to escape a primal Eden.

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(screenplay by), (screenplay by) | 2 more credits »
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76 ( 51)
1 win & 10 nominations. See more awards »
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Cast

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Storyline

A washed up monster chaser convinces the U.S. Government to fund a trip to an unexplored island in the South Pacific. Under the guise of geological research, the team travels to "Skull Island". Upon arrival, the group discover that their mission may be complicated by the wildlife which inhabits the island. The beautiful vistas and deadly creatures create a visually stunning experience that is sure to keep your attention. Written by Jason Burns

Plot Summary | Plot Synopsis

Taglines:

Awaken the King See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of sci-fi violence and action, and for brief strong language. | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

Country:

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Language:

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Release Date:

10 March 2017 (USA)  »

Also Known As:

Kong: Skull Island  »

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Box Office

Budget:

$185,000,000 (estimated)

Opening Weekend USA:

$61,025,472, 12 March 2017, Wide Release

Gross USA:

$168,052,812

Cumulative Worldwide Gross:

$566,152,812
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Samuel L. Jackson and Brie Larson also appear in Farce of the Penguins (2006), Unicorn Store (2017), and Avengers: Infinity War (2018). See more »

Goofs

Colonel Packard's pistol is not a Colt Model 1911 missing its barrel bushing. It is a Colt Model 1902, which has no external bushing. See more »

Quotes

[first lines]
Bill Randa: Mark my words. There'll never be a more screwed up time in Washington. But we can't let it stop us.
See more »

Crazy Credits

SPOILER: There is a scene after the closing credits: Brooks and Lin meet Conrad and Weaver and show them records that indicate other monsters existing on Earth; the monsters seen are Rodan, Ghidorah, Mothra and Godzilla. The scene ends with Godzilla's roar. This leads into Godzilla: King of Monsters (2019). See more »

Connections

References Pulp Fiction (1994) See more »

Soundtracks

Bad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Fantasy Records
By permission of Concord Music Group, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Kong would regret being in this film
13 March 2017 | by See all my reviews

I was confused about the purpose of this film, and sadly, I was still confused after watching the film. All the elements of this new version of King Kong have been recycled. Taking parts of the originals/remakes and hastily gluing them together again in a different way doesn't mean it is going to create an inventive artwork.

And I knew they would put a scene where Kong saves a pretty lady in his palm, I just knew it. All that's improved from the previous films is Kong's appearance. He is fluffier, angrier and more realistic. Some points must be given to the stunning visual effects.

The characters' names and faces have also changed, but their nature and characteristics are half dimensional and predictable. It is stereotypes upon stereotypes. It is a major waste of talent with Tom Hiddleston, Samuel L Jackson and Academy Award winner Brie Larson ("Room") struggling in the muddled chaos. You could see and feel the disappointment. Even Kong seems confused. The performances are half- hearted and there is just no substance for them to work with. I bet all they were thinking of while filming was 'get me out of here' – literally.

For the majority of the film, everyone says very few words to each other. The conversations are forced and laughable. It wouldn't have made a difference if they were just silent. It's so predictable that you would know exactly what the next line would be.

I thought while watching this, was this meant to be an exaggerated satire of King Kong? Or was it meant to be taken seriously? Even the execution of the film presents the same questions. At one point, it would be slow and mystic, and minutes later, overly upbeat music would hit your ears, and we are treated to magnified slow-motion action. It feels it is trying too hard to get our attention. And once it does, it doesn't know how to sustain it.

And finally, there are so many extreme close-ups of Samuel L. Jackson's face, it probably took up half the film. They did it to match Kong's face, so you can imagine how gigantic it was.

Maybe if Director Jordan Vogt-Roberts figured out from the beginning what type and style of film this would be, it would have been a better film. It seems like he had an idea but is unconvicted towards it, and instead keeps changing his mind to offer more 'fun'. The result that it is a jumble of various pieces that don't belong in the same puzzle.


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