A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by
In the Epilogue sequence, they dance by a gas station set. The building is white with red stripes. This is a reference to the Esso station at the end of The Umbrellas of Cherbourg (1964) as well as the paintings of LA artist Ed Ruscha, who paints an iconic image of a Standard gas station. The gas station designs are similar because both were branches of the same oil company - "Esso" being the phonetic version of "S-O" for "Standard Oil." See more »
At the very beginning of the movie, when Mia is leaving work to go to the audition, she bumps into a customer who spills a cup of coffee on her white shirt. You can clearly see that when she leaves the audition, the big coffee stain on her shirt is very different from before (when she was leaving work). See more »
It's pretty strange that we keep running into each other.
Maybe it means something.
I doubt it.
Yeah, I didn't think so.
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There is a title card at the very beginning that says "Filmed in Cinemascope." See more »
Damien Chazelle is a young director who loves and knows movies, from Federico Fellini to Jacques Demy. Hallellujah! Ryan Gosling and Emma Stone go back to inspire us forward. What's more surprising than anything else is the feel of amateurishness in the dancing in the singing. So refreshing not to have a sleek but empty experience. Damian Chazelle' Whiplash was a brilliant preview of forthcoming attractions. I would love to see a thriller directed by Chazelle, something like Shadow Of A Doubt or even a glossy damsel in distress story like Midnight Lace. That's what happens when we discover a new and startling talent. You want to see him do everything. I have a feeling this young artist will.
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