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La La Land (2016)

PG-13 | | Comedy, Drama, Music | 25 December 2016 (USA)
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A jazz pianist falls for an aspiring actress in Los Angeles.

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40 ( 8)
Top Rated Movies #123 | Won 6 Oscars. Another 197 wins & 242 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mia
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Famous Actress
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Linda (Coffee Shop Manager)
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Coffee Spiller
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Casting Director (First Audition)
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Alexis
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Caitlin
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Laura
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...
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D.A. Wallach ...
'80s Singer
...
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Storyline

Mia, an aspiring actress, serves lattes to movie stars in between auditions and Sebastian, a jazz musician, scrapes by playing cocktail party gigs in dingy bars, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart. Written by Eirini

Plot Summary | Plot Synopsis

Taglines:

Here's to the fools who dream.


Motion Picture Rating (MPAA)

Rated PG-13 for some language | See all certifications »

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Details

Country:

Language:

Release Date:

25 December 2016 (USA)  »

Also Known As:

LaLa Land  »

Filming Locations:

 »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

$4,102,091 (USA) (16 December 2016)

Gross:

$151,058,124 (USA) (21 April 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (DTS: X)|

Color:

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

While Mia is writing her one woman play, the protagonist's name, Genevieve, is seen in the script. This is likely a reference to Catherine Deneuve's character in The Umbrellas of Cherbourg (1964), which was a great source of inspiration for this film. See more »

Goofs

During the road rage incident between Mia and Sebastian, Sebastian is seen wearing a brown-colored shirt. When he returns to his apartment and has the conversation with his sister, he is wearing a blue-colored shirt. In the next scene, when Sebastian is practicing on his piano, he is back to wearing the brown-colored shirt. Director Damien Chazelle acknowledged this mistake in the audio commentary. See more »

Quotes

Sebastian: They worship everything and they value nothing.
See more »

Crazy Credits

The Summit Entertainment logo has an old-time variant where it looks like a matte painting of a mountain in a box and the word "Summit" above it. See more »

Connections

Referenced in Mixxxer Show: Parkourista Tary (2017) See more »

Soundtracks

Take On Me
Written by Magne Furuholmen, Morten Harket, and Pål Waaktaar
Performed by D.A. Wallach
See more »

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User Reviews

 
Love letter to Hollywood .. and a Heck of a Film
1 January 2017 | by (North America) – See all my reviews

Writer/Director Damien Chazelle, who already had a nice career going for him, explodes into the Bigtime with this delightful, mesmerizing, and completely unexpected ode to Tinseltown.

The opening sequence (satirized on the Golden Globes) really does not do the rest of the film justice. It is as if the cast from the FAME remake grew up, had children of their own, and then those children hijacked the Santa Monica freeway to do a 10 minute flash-mob dance sequence.

From that point on, the film is hypnotic.

We segue to a love story as pure as anything since the great dramas of the 1940s. If the film had been in B&W, you would almost have expected to see Bette Davis in a 3-hankie tear jerker.

Except for the musical interludes, of course, which are pitch perfect and totally wonderful.

Gosling is surprising as a leading man expected to do song and dance, but he delivers the goods.

Stone, who was supposed to be "the next big thing" after Easy A (2010), steals the film and possibly the hearts of the audience as well. The awards should flow like water, and she will deserve every one.

As I said, deep in the DNA this is an ode to Hollywood. The film industry has always had issues with endings -- back in the day they would film several different endings per picture -- and then decide at the last minute which to use. Here Chazelle pays homage to that by giving us an alternate ending, along with the "real" ending, along with a closing sequence designed to remind everyone that nothing in Hollywood is actually real, but everything still can be really fun.

Destined to be a classic. Recommended.


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