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Under sandet (2015)

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In post-World War II Denmark, a group of young German POWs are forced to clear a beach of thousands of land mines under the watch of a Danish Sergeant who slowly learns to appreciate their plight.

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Nominated for 1 Oscar. Another 26 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sebastian Schumann
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Helmut Morbach
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Lt. Ebbe Jensen
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Karin
Zoe Zandvliet ...
Elisabeth, Karins Daughter
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Soldier Peter
Oskar Bökelmann ...
Ludwig Haffke
Emil Belton ...
Ernst Lessner
Oskar Belton ...
Werner Lessner
Leon Seidel ...
Wilhelm Hahn
Karl Alexander Seidel ...
Manfred
Maximilian Beck ...
August Kluger
August Carter ...
Rudolf Selke
Tim Bülow ...
Hermann Marklein
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Storyline

SPOILER: In 1945, in Denmark, after the defeat of Germany, the tough veteran Sergeant Carl Rasmussen is assigned by Lieutenant Ebbe Jensen to defuse and remove 2.2 million mines in the Danish West Coast to make the beaches safe. Carl receives a group of teenage Germans prisoners of war to clear mines. With the formal promise of Ebbe, Carl tells to the youngsters that when the task is accomplished, the survivors would be released to return to Germany. After the initial hostility with the enemy, Carl realizes that the POWs are too young and befriends the boys. But when a mine in a clear area blows up his dog, Carl forces the boys to walk together on the safe areas to check whether any mine was left behind. Months later, the survivors complete their task but Ebbe sends them to another mined field. What will Carl do? Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Taglines:

They survived World War II. Now they have to survive the clearing.

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for violence, some grisly images, and language | See all certifications »

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Details

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Release Date:

3 December 2015 (Denmark)  »

Also Known As:

Land of Mine  »

Box Office

Opening Weekend:

$13,754 (USA) (10 February 2017)

Gross:

$434,640 (USA) (19 May 2017)
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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The use of German children for post WW2 mine sweeping has by many historians been declared as the worst case of war crimes ever conducted by the Danish state. Specifically, it is explicitly forbidden in the Geneva Conventions that any Prisoner of War be forced to perform dangerous and/or unhealthy labor. See more »

Goofs

The boys keep having the same 'fresh' haircut throughout the movie (that covers three months). It's unlikely that they had a hairdresser around, or even a pair of scissors. See more »

Quotes

Sgt. Carl Rasmussen: Those of you who count the mines, make sure my card is updated. This task is as important as defusing mines.
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User Reviews

Disturbing, Disquieting & Devastating, 'Land Of Mine' Is Essential Cinema
30 January 2017 | by (India) – See all my reviews

Nominated for Best Foreign Language Film at the upcoming Academy Awards, Land of Mine (also known as Under sandet) is a disturbing, disquieting & devastating cinema that's inspired from the immoral & inhuman act that the Danish authorities perpetrated against German POWs, majority of whom were teenagers, following the end of the Second World War in Europe.

Set in post-World War II Denmark, the story of Land of Mine follows a Danish Sergeant who is assigned the duty to defuse & remove over 2 million mines that were buried by the Germans along the coast during the war. Receiving a batch of teenage Germans POWs to carry out the operation, the Sergeant's initial hostility towards them begins to undergo an unexpected change.

Written & directed by Martin Zandvliet, the film opens with a crucial sequence that establishes the seething hatred that the Sergeant has against Germans and takes it up from there. Every segment featuring the young boys trying to defuse the mines with their bare hands despite being obviously ill-equipped to carry out the dangerous task is nail-biting as hell and even more hard-hitting when they fail at it.

Zandvliet's direction exhibits terrific restraint from start to finish and even more admirable is how he handles the characters & their arcs. Without choosing a side, he puts believable people on screen and keeps all their human attributes in tact, whether they are Danish or Germans. And while the hostile nature of the former against the latter is understandable, what the Danish authorities force them to do is equally inexcusable.

Shot at historically authentic locations, the entire picture is splendidly photographed and the era of Denmark recovering from the war is wonderfully captured by its desaturated & earthy colour tones. Camera-work is hand-held, static & expertly controlled for the most part and allows the scenes to play out at their desired pace but the longer it lingers on the defusing process, the more suspenseful it becomes and majority of the time, ends on a heartbreaking note.

Editing is skilfully carried out, for every single minute of its 1½ hour narrative is accounted for & is relevant to the plot. Every sequence on the beach is compelling & handled with patience and every explosion or casualty reverberates with the audience & the impact of it is deeply felt. The film does feel longer than its runtime but it is relentlessly gripping till the end. And further enhancing its grim aura is the poignant score that always surfaces on time.

Coming to the performances, Land of Mine features an incredibly committed cast in Roland Møller, Louis Hofmann & others, with Hofmann impressing the most. Møller is in as the Sergeant overseeing the mine clearing operation and expresses his character's inner conflict brilliantly while Hofmann plays one of the young boys performing the fatal, endless task of defusing millions of buried mines with stunning balance, and the scenes between the two are its main highlight.

On an overall scale, Land of Mine not only ranks amongst the best films of its year but is one of the finest films to come out from Cinema of Denmark. Incessantly human, powerfully moving & making a strong statement about what makes us human & why it's even more important to stay as one in times of bitter conflict, this Danish masterpiece is an extremely riveting example of its genre that treads a difficult path & is utterly discomforting at times yet manages to fully redeem itself in the end. An essential viewing by all means, this Danish masterpiece comes very highly recommended.


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