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Crawford M. Collins,
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Brian Austin Green,
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In the south of Laos, an American volunteer doctor becomes a fugitive after he intervenes in the sexual assault of a young woman. When the assailant's body is pulled from the Mekong River, things quickly spiral out of control.
Jamie M. Dagg
Over the course of one week in 1988, the search for a missing teammate, parental expectations, a burgeoning sexual awakening and the rock concert of the century all threaten to jolt a 16-year-old into adulthood.
At 16, he's coming of age; at 14 she's too old too soon
This is a coming-of-age movie about 16-year-old Mark, but it's much different than the usual fare. First, although shot in Toronto with an American director, about 75% of the film is in Russian with sub-titles. Second and more important, the other main character, Natasha, is s 14-year-old recent émigré from Ukraine who has seen way too many "worldly" things at way too young an age.
The unlikely friendship/romance between Mark and Natasha begins when they're thrown together when her mother marries his uncle. Natasha never smiles, says a character. But Mark is assigned by his mother to show her around their suburban town, which he dutifully does. And gradually, she learns to trust him.
There is a sweetness and tenderness that develops between Mark and Natasha, but the causes of her underlying sadness lurk nearby. It would give away too much to provide more detail. So suffice it to say that the movie works well for the most part, portraying two teenagers who both speak Russian but otherwise have very different backgrounds and life experiences, yet come together in a natural and believable way.
The use of Russian with English subtitles is so well integrated into the story that I barely noticed. It looks and feels like an English-speaking film, just one in which the principals speak mostly Rusian.
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