In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Deborah, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by
Kenneth Chisholm (email@example.com)
Three Oscar winners are featured in this movie, Kevin Spacey (who won two awards for Best Actor in a Leading Role for The Usual Suspects and American Beauty), Jamie Foxx (Best Actor in a Leading Role for Ray), and Paul Williams (Best Original Song for A Star is Born). See more »
In the opening heist, the getaway involves dumping the original car and switching to another. However, while Buddy, Darling and Griff all wear gloves, Baby does not. During his "dance" scene he touches, and leaves fingerprints on, the steering wheel, wiper control, the outside of the door, and a water bottle (which he leaves in the car). During the getaway he also would have left prints on the gearshift and the interior door handle. See more »
Sometimes all I want is to head West on 20 in a car I can't afford, with a plan I don't have, just me, my music, and the road.
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At the end of the credits is the sound of a tape rewinding. See more »
freaking brilliant, doesn't slow down or miss a beat
Thanks to student edge i was given the chance to see the film early, having seen amazing reviews from its screening at SXSW, i went in with incredibly high expectations. Coming out, those expectations still managed to be exceeded.
Edgar Wright directed the sh1t out of this movie. Everything is filmed beautifully, especially the incredible action scenes and one- takes. The acting is superb, the film balanced out the drama and comedic elements extremely well, and the plot was immensely well developed and entertaining, the characters are rich and engrossing, with the chemistry between Ansel Elgort and Lily James being the stand out part of this film for me, lastly i was very skeptical at the beginning of the film regarding the dominating presence of the soundtrack throughout the movie, but the killer soundtrack was fun, lively and bloody joyful, and blended into the plot seamlessly , it became its own character in the film and definitely brought a smile to my face.
Go into this movie knowing as little as you can, this is an experience like no other.
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