It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Baby is a young and partially hearing impaired getaway driver who can make any wild move while in motion with the right track playing. It's a critical talent he needs to survive his indentured servitude to the crime boss, Doc, who values his role in his meticulously planned robberies. However, just when Baby thinks he is finally free and clear to have his own life with his new girlfriend, Deborah, Doc coerces him back for another job. Now saddled with a crew of thugs too violently unstable to keep to Doc's plans, Baby finds himself and everything he cares for in terrible danger. To survive and escape the coming maelstrom, it will take all of Baby's skill, wits and daring, but even on the best track, can he make it when life is forcing him to face the music? Written by
Kenneth Chisholm (firstname.lastname@example.org)
Edgar Wright began developing the story for Baby Driver shortly after wrapping production on his film, A Fistful of Fingers (1995). See more »
During the course of the film, Baby frequently has music playing in his ears in order to drown out the tinnitus (ringing in ear) he suffers. However, most ear specialists recommend people with tinnitus to limit being around loud noises, which would include playing music via earbuds; Baby might being inflicting more damage to his hearing. However, he is also participating in armed robberies, which is not a recommended as a healthy cure either. See more »
If you don't see me again, it's because I'm dead.
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At the end of the credits is the sound of a tape rewinding. See more »
A film so in love with itself, it needs its own cinema seat
"Baby Driver" is showy, cliché-ridden and irritatingly self-aware. It's like that yappy drama society kid at college who is so consciously trying to act cool by breaking into song, dancing around chairs, drumming on desks and spitting jokey one-liners with a hand pistol flourish....the kind of person a cynical SOB like me just wants to punch in the throat.
The central premise is about a young, good-at-heart kid forced into a life of crime in order to pay off a debt. The annoyingly slick, Abercrombie-faced "Baby" is not only the fastest getaway driver in Atlanta, we later find out he's also a self-taught music producer, dancer and talented free-runner...are you rolling your eyes yet?
The main mechanic, so lauded by critics, is that everything in the film revolves around music, from the editing to the dialogue. Since Baby is constantly plugged into his i-pod (so, we are told, to drown out tinnitus from a car accident which killed his parents), the film essentially plays like one giant music video, with nearly every gunshot, tire screech and sassy put down edited meticulously with the beats or riffs of whatever track is playing during the sequence.
Unfortunately for me, the songs didn't make what was happening on screen that much more interesting. While there are some splendid car chase sequences (too few in my book), one must endure cringey moments of Baby miming and dancing to James Brown, dull characters waxing poetic about song lyrics and saying cliché bull$hit like "Sometimes all I want to do is head west on the 20 in a car I can't afford with a plan I don't have". Everyone in the film is pretty, none of the gangsters really look like gangsters, least of all the Latina 'Darling', who can't even hold a gun convincingly and is just there to show cleavage and lick her lips at camera.
Imagine the most indulgent ideas from Guy Ritchie and Tarantino's trash bin channeled through a Justin Bieber video. Less style and even less substance.
There are no doubt people who will love it for being a showy piece of nonsense, and there is some entertaining, high impact action, but it's far from the genius some critics are praising it as. I saw it with a group of youngish people who all agreed it wasn't as good as they'd hoped and that some bits were just plain daft.
Leave your brain at home and perhaps you'll be rewarded...
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