While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
Winfried doesn't see much of his working daughter Ines. He pays her a surprise visit in Bucharest, where she's busy as a corporate strategist. The geographical change doesn't help them to see more eye to eye. Practical joker Winfried annoys his daughter with corny pranks and jabs at her routine lifestyle of meetings and paperwork. Father and daughter reach an impasse, and Winfried agrees to go home to Germany. Enter Toni Erdmann: Winfried's flashy alter ego. Disguised in a tacky suit, weird wig and fake teeth, Toni barges into Ines' work circle, claiming to be her CEO's life coach. As Toni, Winfried doesn't hold back, and Ines meets the challenge. The harder they push, the closer they become. In all the madness, Ines begins to see that her eccentric father deserves a place in her life. Written by
It had problems with pace. It was slow. It has as a central character a sullen, forlorn, unlikable and very unsympathetic young woman. The male lead, the woman's father performed largely comic relief. None of the characters seemed to properly developed as to why they were on a particular path.
Some of the minor characters were even on the good side but some vital plot points were not expressed in a manner that leads the audience to identify with the characters journeys.
I think that it might have had many editing problems and pieces of plot left on the cutting room floor.
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