5.5/10
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The Lady in the Car with Glasses and a Gun (2015)

La dame dans l'auto avec des lunettes et un fusil (original title)
Trailer
1:27 | Trailer

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The trials and tribulations of Dany Dorémus.

Director:

Writers:

(scenario), (scenario) | 1 more credit »
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1 win. See more awards »

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Cast

Cast overview, first billed only:
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Le garagiste (as Thierry Hancisse de la Comédie Française)
Sandrine Laroche ...
La femme du garagiste
Frederic Etherlinck ...
Un type de la station service
Alain Bellot ...
L'autre type de la station service
Édouard Giard ...
Le routier bouquet de violettes (as Edouard Giard)
François-Dominique Blin ...
Le routier du relais
Noémie Morales ...
Sylvie
Lou Lambrecht ...
La petite fille du garagiste
Vera Van Dooren ...
La dame qui a vu
Chloé de Grom ...
La jolie brune
Inès Dubuisson ...
La fille au chignon
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Storyline

A secretary steals her boss' car to go joyriding. She visits a seaside town she swears she's never been to, but everyone knows her name. And when a body turns up in the trunk of the car, she is the lead suspect in a murder she knows nothing about. Is she going crazy? Written by Magnolia Pictures

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Details

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Language:

Release Date:

18 December 2015 (USA)  »

Also Known As:

The Lady in the Car with Glasses and a Gun  »

Filming Locations:


Box Office

Opening Weekend:

$688 (USA) (25 December 2015)

Gross:

$2,033 (USA) (10 January 2016)
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Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

When Dany turns sharply into the gas station to refuel the car loses a hubcap, yet when the car comes to a stop at the pump all four hubcaps are still on. See more »

Connections

Version of Shinsha no naka no onna (1976) See more »

Soundtracks

Nel Cimitero Di Tucson
Written by Gian Piero Reverberi, Gianfranco Reverberi
Performed by Gianfranco Reverberi & Gian Piero Reverberi
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User Reviews

 
Weird moody ride, briskly paced, intriguing ambiguity and darkly playful story
1 September 2015 | by (Lille, France) – See all my reviews

Great aesthetics throughout, beautifully shot, amusingly playful dialogues -sometimes unreal, sometimes carrying shifting meanings or seemingly no meaning at all- this film is a dreamy, sensual ride with a gorgeous actress (and character) on which the camera often lingers... The male counterpart can also be evocative though, but I like how the film just celebrates this beautiful woman, and with great music makes her attitude even more catchy. Meanwhile, the character is ambiguous, sometimes naive, other times vindicative and strong, sometimes simply weak. I struggle to find the underlying meaning of the film and though I have theories I am more than satisfied to let my appreciation of the movie be on a purely aesthetic level.


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