A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
The latest feature film from award-winning Japanese director Mamoru Hosoda (Summer Wars, Wolf Children): When Kyuta, a young orphan living on the streets of Shibuya, stumbles into a fantastic world of beasts, he's taken in by Kumatetsu, a gruff, rough-around-the-edges warrior beast who's been searching for the perfect apprentice. Despite their constant bickering, Kyuta and Kumatetsu begin training together and slowly form a bond as surrogate father and son. But when a deep darkness threatens to throw the human and beast worlds into chaos, the strong bond between this unlikely family will be put to ultimate test-a final showdown that will only be won if the two can finally work together using all of their combined strength and courage.
Mamoru Hosoda has come a long way since his Digimon (1999-2003) days. He's been steadily rising through the ranks and in the hearts and minds of anime fans with his cult Samurai Champloo (2004-2005) series and three very memorable feature length movies over the last decade. The Girl Who Leapt Through Time (2006) made a lasting impression to be sure, but Wolf Children (2012) remains in this writer's mind one of the most insightful and sublime anime films ever. It rivals the delicate balancing of themes that make Ghibli Studios so popular yet instead of children's stories, Hosoda dabbles in adult themes making Hosoda more of a contemporary to the late Satochi Kon.
The Boy and the Beast continues the animator's winning streak providing a soulful coming-of-age tale through killer action sequences and clever thematic liberties. Ren (Sometani/Vale), a pre- teen with a bad attitude has run away from home after the death of his mother. Angry, spiteful and living on the streets of Shibuya, Japan, Ren discovers a portal to Jutengai: The Beast Kingdom where anthropomorphic creatures roam free. Inadvertently, he's entangled in a feud between two powerful warriors vying for Lord of Jutengai. The first is Iozen (Yamaji/Hennigan), a wise and popular swordsman who fathers two children and apprentices many talented disciples. The second is Kumatetsu (Yakusho/Swasey) a powerful but temperamental and lonely warrior followed only by Tatara (Oizumi/Sinclair) his wise-cracking buddy. Partially out of desperation and partially out of spite, Ren apprentices with Kumatetsu and slowly learns the martial art of Kendo.
The central conflict in Boy and the Beast ignites when Ren and Kumatetsu butt heads while training. Kumatetsu it should be noted, starts out as a very poor teacher angrily screeching "reach for the sword in your soul!" and other such nonsensical things. Kaede (Hirose/Apprill), the wise monk of the village informs Ren (nicknamed Kyuta) that his master had to learn everything himself without help. Thus he became independent yet unable to teach. It is only when Ren starts to mimic Kumatetsu and anticipate his moves, do they both start training in harmony.
The other central conflict is the internal struggle Ren battles with as he grows older. The citizens of Jutengai claim humans do not belong as they have an inner darkness. Ren's darkness manifests itself in a shadow with an open pit in his chest. This ghostly figure however is tempered by the arrival of Hyakushubo (Franky/Organ), a high-school girl who encourages him to focus on other things besides fighting. While venturing between the human and animal realm, Ren takes an interest in reading and is taught by Hyakushubo who shows patience in ways Kumatetsu never could. It is this connection as well as his re-connection with his father, that Ren is ultimately able to become whole.
Boy and the Beast features some incredibly detailed, almost photographic background art. One could watch this film on mute and still be enveloped by the beauty of the world surrounding Ren, Kumatetsu and Hyakushubo. Only Satochi Kon's Tokyo Godfathers (2003) has ever reached this level of mastery and all due credit should be given to the animators. Even little throw away habitats such as the montage of our plucky heroes meeting with "the wise masters," are awe-inspiring. Out of all the adornment however, the climax remains the most visually impressive part which more than makes-up for any narrative issues.
And yes there are some slight narrative issues. Elaborate swordplay and exciting, detailed animation aside, the third act tends to go on a tangent only loosely connected to the story at-large. We're made privy to a long festering rivalry that seems to come out of left field and are given certain rules a little too late in the game. The whole third act could have taken up the contents of a whole new movie; a sequel perhaps. Instead it's squeezed in like descriptors in a Herman Melville story.
Most people are blessed to have one person in their lives who inspires them to follow their dreams while arming them with the discipline to make those dreams a reality. Ren is given three over the course of Boy and the Beast. The first is Kumatetsu who despite his gruffness would sacrifice everything for Ren if given the chance. The second is Hyakushubo; a kind young girl who not only teaches Ren how to read but encourages him to reach for more and never be afraid of failure. The last is Ren himself; the only one who can reflect on the choices he's made and give him the motivation to learn from those choices. We may not always have a choice about what happens to us but we do have a choice on how we react, adapt and grow with each opportunity. With that Boy and the Beast illustrates it's most important lesson; you too can be your own hero.
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