A young woman who moves to Paris with a disaster past. When she become a woman and think she's finally free from her past's shadows, some characters show up and she gets the chance to become an unique heroine.
In hard times, a miller sells his daughter to the Devil. Protected by her purity, she escapes but is deprived of her hands. Walking away from her family, she encounters the goddess of water... See full summary »
Leyla (42), a lawyer and a poet, takes the long-distance train to attend her high school reunion dinner. On the train, she meets Canan (21), a young nursing student in distress. As the ... See full summary »
'Disappearance' takes place in the remote winter landscape of Norway. Roos visits her mother there yearly, but this time it's different: she brings bad news. However, old pain and numerous ... See full summary »
Elsie de Brauw
If I were the producer of this film, I'd have chosen a different title. I'm sure lots of moviegoers are going to be misled: this film has nothing to do with Shakespeare. It's an adaptation of a novel by the Russian author Nikolai Leskov, set in early 19th century England.
The film seems to be a pre-feminism manifesto for women's rights. It shows Katherine Lester, the submissive wife of a wealthy but abusive landowner, living in a secluded manor in the British countryside. During a prolonged absence of her husband, she rediscovers her freedom and starts an affair with one of the stable boys. Not willing to give up her newly acquired status, she starts a series of increasingly extreme actions.
The interesting thing is how Katherine evolves from victim to culprit. She seems to have learned from her husband how to use and misuse power. The lack of social conscience of which she at first is a victim, becomes a driving force for her own behaviour. Her selfishness and lack of morality is so extreme that, in the end, she betrays innocent servants. The viewer has to shift his allegiances: at first, it's impossible not to sympathize with Katherine, enjoying a free life without her heartless husband. But halfway through the film, it becomes clear that Katherine is just as heartless, as soon as she is in power.
The story is filmed in a very effective, sober style with beautiful cinematography. The lack of any music is remarkable: some elongated scenes are striking because of the silence. The oppressive atmosphere in the manor is emphasized by the camera work. The camera repeatedly shows scenes from exactly the same viewpoint. Four or five times, we see the servant Anna entering Katherine's bedroom in exactly the same way.
As much as 'Lady Macbeth' is about gender, it is also about class. It is striking that Katherine, who as a woman is considered a lower form of human life by men, herself considers the servants to be a lower form of human life. She shamelessly uses them for her own purposes and enjoyment, but doesn't care at all about their fate afterwards.
'Lady Macbeth' is a beautiful film, about issues that even nowadays are worth thinking about. But I would have named it 'Lust and loneliness' - after all, it's set in the same period as the Jane Austen novels.
5 of 5 people found this review helpful.
Was this review helpful to you?