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Following a banal incident in her local village, 8-year old girl Shula is accused of witchcraft. After a short trial she is found guilty, taken into state custody and exiled to a witch camp... See full summary »
Love, life, and the struggles of a mother bringing up a son in the the early 70's. The ignorance of a free spirit against the needs of a young man trying to find his true character and beliefs. Living in a bohemian household shared with 3 like minded spirited people to help pay the rent, his mother tries to establish bonds that he cannot deal with. She cannot deal with his inability to talk, and enlists the help of other females in his life to share the burden of his upbringing. Slowly life unravels for them all without understanding how. In spite of their perceived struggles, they all go on to live defined lives without any serious consequences.
The film is semi-autobiographical, according to Michael Mills. The main cast members are based on one or multiple influences upon Mills from his childhood. Annette Bening's character in particular is based partly on his mother, but with the emphasis on Bening's particular spin on her character. See more »
Dorothea is variously depicted discussing her stock portfolio with her son Jamie, quoting NYSE share prices in decimals, doing this in 1979. However, the switch to decimal from fractional stock prices in the U.S. did not occur until the year 2000. See more »
[William and Abbie come to pay Dorothea's bail]
These people have no sense of humor.
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Written by Darby Crash & Pat Smear (as Georg Ruthenberg)
Performed by The Germs
Courtesy of Rhino Records Entertainment, by arrangement with Warner Music Group Film & TV Licensing See more »
Bening should be nominated in one of the best recent films.
"Guys aren't supposed to look like they're thinking about what they look like." Julie (Elle Fanning)
No they're not, but in Mike Mills' 20th Century Women, some rules don't apply, and the young man, Jamie (Lucas Jade Zumann), is well on his way to come of age in a most unusual household. It's 1979, before the Internet and Reagan and after the Punk rage. In other words, it's a time of cultural and personal transition.
No one is more responsible for this cultural migration in the Fields family than Dorothea (Annette Bening), a middle-aged matriarch with wit and lungs that will, in 20 years, surrender to the assault of her incessant smoking (her voice-over narration tells us so). Dorothea has the calm, contemplative, accepting nature to guide her two children, Jamie and Abbie (Greta Gerwig), into a responsible adulthood prefaced by sexual exploration and establishment defiance.
Although I rarely comment on acting, I must single out Bening for a performance of rich nuance, eschewing the theatrics of Oscar baiting to give us a character with immense affection and uncertainty, just like many of us, I suspect. Her low-key but powerful interpretation should get an Oscar nod.
While the examination of teen sexuality in flux is well described, so too is Dorothea's odyssey from a broken marriage to a Zen-like acceptance. As in the iconic Seinfeld world, nothing seems to be happening. However beneath that middle-class ambiance lie hearts struggling with their own shifting shapes under the watchful eye of family.
20th Century Women is all about the overwhelming part family plays in human development, not in grandly dramatic exercises but in the small notes like sitting in bed chatting or going with mother to a nightclub. As the credit sequence will tell you, life turns out fairly well despite the uncertainties of daily vicissitudes documented so distinctly here.
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