In early 1997, mobsters Kwai Ching-hung, Yip Kwok-foon and Cheuk Tze-keung, whom have never met one another, are all in Hong Kong. Thereafter, rumour has it that Hong Kong's three most ... See full summary »
Picking up some time after the events in the first movie, Sean Lau is now the Commissioner of Police after the successful rescue operation. However, things turn bad when his wife and ... See full summary »
Lok Man Leung,
Tony Ka Fai Leung,
A down and out guy called Ping (Derek Tsang) gets a job at a convenience store one night. Ping decides to have some fun to strike back against his new unpleasant employer, Fat Boss (Lam ... See full summary »
Realizing that he will be defeated in no time during a police showdown, a thug shoots himself to force the cops to cease fire and take him to the hospital. In the hospital, he claims human ... See full summary »
Nick Cheung plays a streetwise exorcist who becomes an overnight sensation when his extraordinary exorcisms are recorded and go viral on the internet. However, this attracts not only the ... See full summary »
It is a story about the redemption of three man, a cab driver who never takes credit for helping others, a auxiliary policeman who never asks for promotion even when he risks his life to ... See full summary »
Nominated for 8 Golden Horse Awards and it is HK's entry for the Best Foreign Film Award, but seriously I don't get what the hullabaloo is about. Let me count the ways it failed - unevenly paced, oddly edited, directed without clarity, unnecessary fractured timelines, characters feel like walking enigmas. Only they know what they are doing. I didn't care for anyone. I think it is a veiled attempt at social commentary about the state of lonely youths in HK but the characters are not drawn well. The movie does not strive on suspense and we know who the murderer is pretty soon. The film then delves into their motivations but as far as I can tell every character is only painted with one identifiable trait. Getting Aaron Kwok here to be driving force is a waste of talent and I can't understand what's the point of him taking Polaroids and playing that damn kendama toy. I hate it when filmmakers do these dumb stuff and expect us to derive a deep reason about it. Scene to scene, the transitions feel unwieldy. Sometimes odd characters parachute in to pay some lip service and suggest some depth. Yawn! And I hate it when there are false endings. I think there are 3 here. It felt like it didn't want to end.
I do like Christopher Doyle's cinematography in that he refuses to pick up anything glamorous about HK. Jessie Li and Michael Ning as the killed and killer are laudable. Finally the movie doesn't shy away from some grisly gore. Something I don't see often in HK movies.
PS - I googled the actual case which is just grisly. A 16-year-old girl got chop into pieces by a 24-year-old man. Go wiki Wong Ka Mui
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