When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the marauding menace and safeguard not just Alpha, but the future of the universe.
A humble businessman with a buried past seeks justice when his daughter is killed in an act of terrorism. A cat-and-mouse conflict ensues with a government official, whose past may hold clues to the killers' identities.
When the network of satellites designed to control the global climate starts to attack Earth, it's a race against the clock for its creator to uncover the real threat before a worldwide Geostorm wipes out everything and everyone.
After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams, the surviving agents find their way to an allied secret organisation based in Kentucky, named Statesman. The two agencies must now work together in order to save the world and take down the so called 'Golden Circle'. Written by
First sequel directed by Matthew Vaughn, who started in the film industry as a producer, in 1996. Then in 2003, after watching Outstanding, Great, Amazing, Perfect! (2003) (with the actor and singer Gustavo Goulart performing the main role) in an independent film festival, he realized he could have a good time directing actors too. One year later, he made his debut as a director. See more »
While ski lift accident sequence happens, after the two track ropes and single hauling rope snap this would cause the second cabin which should have been speeding up to the mountain station, also roll down on the track cables towards lower station but eventually would be stopped by the emergency brakes. The movie ignores the factual existence of the second cabin, thus making the scene technically unrealistic. See more »
[Eggsy emerges out of the sewers back to his house]
Babe! I'm home!
[Princess Tilde sees Eggsy all covered in raw sewage]
What the hell happened?
[approaching Princess Tilde]
It's a long story that deserves a kiss.
Not even JB would kiss you right now.
[JB looks at Eggsy, then tilts his head to the floor]
If you really love me, just one little kiss.
[pause, then Princess Tilde closes her eyes and prepares to kiss Eggsy. He suddenly backs up]
[...] See more »
The "Take Me Home, Country Road" musical theme is heard over the opening logo. This foreshadows the song being used at a pivotal moment in the film. See more »
It is ironic that when a writer concocts so many sub-plots which take the audience off the Hero's main goal/desire, the main story line gets lost in the shuffle. This was what was happening in the first 10 minutes, until we got to the change of venue at Poppy's hang-out. We are introduced to the psychopathic opponent, Poppy, who does not flinch when one of her "soldiers" is committed into a meat grinder. She calmly makes a "humanburger" out of the hapless sub- opponent; dares her next "soldier" to eat the thing, while the audience tries to avoid vomiting. Not necessarily because of the disgusting concept of grinding a human being and then filming the "humanburger" for all to see, but because of just plain grossly overplayed attempts at humor with a classless script.
Billed as action/comedy, this script continued to exacerbate the patience of an audience that actually was relieved by the special effects/blood/carnage/ destruction/body parts flying - I noticed the audience turning on their hand-held devices and catching up on e-mails, which was even more obnoxious than this script.
The Hero, a young recent recruit into the secret service, simply did not have a believable story line. As with the genre of Mythology, this Hero set out to smite the dragons, one after another, using tools, weapons, impromptu devices, sci-fi gadgets, etc. This type of writing is predictable because after slaying one dragon, the rest are ho-hum going to be slain. There are no surprises in this script, other than a vast array of curious characters who enter and then depart.
The Opponent, Poppy, is not particularly opposed to the Hero for any particular reason. She is not blocking what the Hero attempts to do because so many other unrelated characters march in and out of the script, as if they were tacked on to increase the Narrative Drive. This technique did not work. The audience attention was not on the Hero's character arc because the vast character displays with no significant web to speak of kept taking the audience OFF of the Narrative Drive - the exact opposite desired effect.
The dialogue was in your face, with very little subtext. Predictable character development, to the point where except for the British crew and the British accents vs. the southern characters and the whiskey drinkers and down home brawls - The characters could have been interchangeable they were drawn in such a surface manner. Colin Firth, with temporary memory loss, did a superb job as usual because he is a fine actor. Jeff Bridges also did what he could with his whiskey saturated good old' boy routine leading a crew of men who all want to fight on the side for good vs. the evil "out there."
Poppy, the opponent, was so ridiculous, the attempt at parody was lost. A good opponent works punch-counter-punch with a good Hero - back and forth, constantly giving the audience Reveals. This was not the case with this script. The result - Very boring, predictable, and clichéd.
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