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It Comes at Night (2017)

R | | Horror, Mystery | 9 June 2017 (USA)
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Secure within a desolate home as an unnatural threat terrorizes the world, a man has established a tenuous domestic order with his wife and son. Then a desperate young family arrives seeking refuge.

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2 nominations. See more awards »

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Cast

Cast overview:
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Kim
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Griffin Robert Faulkner ...
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Bud
Mikey ...
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Man #1
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Man #2
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Storyline

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul. Written by A24

Plot Summary | Plot Synopsis

Genres:

Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for violence, disturbing images, and language | See all certifications »

Parents Guide:

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Details

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Release Date:

9 June 2017 (USA)  »

Also Known As:

Viene de noche  »

Filming Locations:


Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend:

$5,988,370 (USA) (9 June 2017)

Gross:

$13,778,239 (USA) (14 July 2017)
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Company Credits

Production Co:

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The movie premiered at the 2017 Overlook Film Festival. See more »

Goofs

On more than one occasion in the film, a lead character uses gasoline as fuel to start a fire, but then carelessly leaves the gas can in dangerously close proximity to the open flames as he lights his matches and starts the fire. In real life it would have been extremely likely that fumes from the gas can would have ignited, being so close to the open flames, and possibly caused serious injury or death to the lead character or others nearby. See more »

Quotes

[first lines]
Sarah: Can you hear me? Dad, can you hear me?
Bud: [nodding a weary yes]
Sarah: You don't need to fight it. You can just let it all go. Everything's okay.
[pan reveals that she is speaking with a mask on]
Sarah: I love you, dad. I do. I'm so sorry. Oh, god...
[gets up to go]
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Connections

Referenced in Breakfast: Episode dated 8 July 2017 (2017) See more »

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User Reviews

 
Disjointed, confusing and unresolved.
18 July 2017 | by (Cork, Ireland) – See all my reviews

I am a fan of post-apocalyptic movies and for the first 20 minutes this film shows promise, good visuals and mood. But then it crawls repeating the same shots and mild shocks until after the hour mark. At this stage you are left wondering when the real story is going to start. Plot elements are started but then abandoned. A little mystery is a good idea in this genre, it heightens the fear but at some point you need an actual narrative to draw it all together.

The ending did force a climax but it seemed botched somewhat by the director so you are left wondering exactly what happened.

The biggest failing is I didn't feel interested enough in the characters to care enough about them during the attempted resolution.

I understand that the budget would have been small but that is no excuse. The camera work was fine. The frights were well done and the tension was well maintained but it gets boring when repeated. The actors did a good job though some were miscast. It was the writing and direction that let the story down.

For a better example of a post apocalyptic movie with a similar setting look at One Hundred Mornings.


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