Anti Matter (AKA Worm) is a sci-fi noir take on the Alice in Wonderland tale. Ana, an Oxford PhD student, finds herself unable to build new memories following an experiment to generate and ... See full summary »
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.
12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
I wasn't particularly keen to see this in view of the very modest rating but upon closer inspection I discovered that generally this was marked down because it was felt that an unnecessary amount of blood and gore spoiled the well crafted artifice and theatricality of the piece. I beg to differ without the aforementioned blood and gore I fear I may have dropped off. The Jane Goldman script is fine, Bill Nighy is as good as I have ever seen him, Olivia Cooke is radiant and shines throughout while Douglas Booth is most effective. And yet.. this is cloaked in such colourful and campy theatrics that for me at least there is always a considerable distance between what is on the screen and what is in my head. Nothing is convincing, even those 'Yorkshire' and 'London' locations. Just how much is real street and how much CGI is impossible to tell. There is also much repetitiveness with whole scenes created with slight variation and by the end although there is nothing outrageously wrong with the film it would be hard to recommend to an adult.
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