A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
In the forests of the Pacific Northwest, a father devoted to raising his six kids with a rigorous physical and intellectual education is forced to leave his paradise and enter the world, challenging his idea of what it means to be a parent.
As the United States raced against Russia to put a man in space, NASA found untapped talent in a group of African-American female mathematicians that served as the brains behind one of the greatest operations in U.S. history. Based on the unbelievably true life stories of three of these women, known as "human computers", we follow these women as they quickly rose the ranks of NASA alongside many of history's greatest minds specifically tasked with calculating the momentous launch of astronaut John Glenn into orbit, and guaranteeing his safe return. Dorothy Vaughan, Mary Jackson, and Katherine Johnson crossed all gender, race, and professional lines while their brilliance and desire to dream big, beyond anything ever accomplished before by the human race, firmly cemented them in U.S. history as true American heroes. Written by
20th Century Fox
During reentry mission control refers to the capsule "entering the communications blackout zone". In fact, the discovery of the communications blackout was discovered for the first time during the reentry and was one of the more frightening parts of the final moments. See more »
We go from being our father's daughters, to our husband's wives to our babies' mothers...
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Easy on the eye but not worthy of the hype and the Oscar nomination. An interesting story has been directed in a very heavy handed way, which to me was constantly irritating. Almost every scene is overstated to the point that, as others have said, there is a propaganda feel to the film. Did the director really need to portray every white person, bar two, as vigorously racist or anti-women, even though virtually all the characters are clearly intelligent and from well educated backgrounds? This is a film where the message would have been stronger and more credible if a degree of balance and subtlety had been added to the mix. The things I enjoyed: some strong performances by a very capable cast, a very authentic period setting, a story which is totally engaging. The thing which turned me off: the exaggeration.
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