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Moonlight (2016)

R | | Drama | 18 November 2016 (USA)
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IN THEATERS
A chronicle of the childhood, adolescence and burgeoning adulthood of a young, African-American, gay man growing up in a rough neighborhood of Miami.

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(screenplay), (story by)
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12 ( 7)
Won 3 Oscars. Another 186 wins & 242 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Shariff Earp ...
Terrence
...
Azu (as Duan 'Sandy' Sanderson)
...
Little (as Alex Hibbert)
...
...
...
Herman 'Caheei McGloun ...
Longshoreman (as Herman 'Caheej' McCloun)
Kamal Ani-Bellow ...
Portable Boy 1
Keomi Givens ...
Portable Boy 2
Eddie Blanchard ...
Portable Boy 3
Rudi Goblen ...
Gee
...
...
Mr. Pierce
...
Terrel
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Storyline

Three time periods - young adolescence, mid-teen and young adult - in the life of African-American, gay Chiron is presented. When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn't understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban-American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan's caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula's abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

This is the story of a lifetime.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality, drug use, brief violence, and language throughout | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

18 November 2016 (USA)  »

Also Known As:

Luz de luna  »

Filming Locations:

 »

Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend:

$402,075 (USA) (21 October 2016)

Gross:

$27,495,647 (USA) (17 March 2017)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When the time came to present Best Picture at the The 89th Annual Academy Awards (2017) (the last award of the ceremony), presenters Warren Beatty and Faye Dunaway were mistakenly handed the wrong envelope backstage. Beatty held a duplicate envelope for the category Best Actress in a Leading Role (which was announced just minutes before and was won by Emma Stone for La La Land (2016)) in his hands while presenting the nominees for Best Picture. When Beatty opened the envelope, apparently becoming aware of the mistake, he hesitated to announce a winner. He then handed the card to Dunaway who announced the heavily favored La La Land (2016) as the winner for Best Picture. The three nominated producers Jordan Horowitz, Marc Platt and Fred Berger as well as the whole cast and crew of the film went up on stage. Horowitz gave his thanks first, up next was Platt during whose speech the mistake became known when the ceremony's producers ran through the crowd on stage looking for the faulty as well as correct envelopes. It became clear that Horowitz was handed the wrong envelope by Beatty, which stated "Emma Stone, La La Land, Best Actress in a Leading Role", upon accepting the award, while the right envelope announcing Moonlight (2016) as the real Best Picture winner had to be brought on-stage from backstage and was finally handed to Beatty. The crowd on stage became slowly aware of the mistake and, despite being already aware of the not winning, Berger still gave a speech thanking his family and ending his speech by stating "We lost by the way, but, you know." Horowitz, also being told about the mistake, stepped up to the microphone again and finally revealed to the public that Moonlight (2016) actually had won, showing the correct Best Picture card to the audience as well as the camera. Beatty additionally cleared up that he was handed the wrong envelope and also announced Moonlight (2016) as winner of Best Picture. After this announcement, the cast and crew of La La Land (2016) slowly left the stage, while the three producers handed their awards over to the team from Moonlight (2016), which was able to finally give their speeches. While there already was an mix-up of winners at the Oscars in 1964, when Sammy Davis Jr. announced the winners for the two categories Scoring of Music (adaptation or treatment) and Music Score (substantially original) and was handed the envelopes for the two categories interchanged (eventually announcing John Addison as the winner for Best Scoring of Music when he wasn't even nominated in that category (André Previn was the actual winner, while Addison was the winner in the Music Score category)), Beatty and Dunaway's snafu remains the only time in Oscar history that a person or film was announced as a winner, when they actually weren't. See more »

Goofs

When Chiron dreams about Kevin after their phone call, they have not seen each other since high school and yet Kevin is portrayed as an adult. Chiron would not know what adult Kevin looks like. See more »

Quotes

Kevin: It's Kevin. You do remember me, right?
[pause]
Black: Yeah.
See more »

Connections

Featured in Film '72: Episode #46.1 (2017) See more »

Soundtracks

Don't Look at Me
Written by Nicholas Britell
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Frequently Asked Questions

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User Reviews

 
Identity Takes Time to Discover
2 November 2016 | by (Canada) – See all my reviews

To solely categorize this film as an examination of Chiron, a young African American who has to deal with being gay is accurate but inadequate. It wouldn't be inadequate to also categorize it as a movie about drug abuse, school bullying, and isolation. However, if someone were to ask me what MOONLIGHT is truly about I would say that, at it's core, it's a film about teaching a child how to swim, feeling the sand on your skin, and cooking a meal for an old friend.

Director Berry Jenkins is not afraid to be poetic, to guide his film away from conventional storytelling and offer his audience something to connect to in their own way. The way his camera roams around is sensually magnificent; he knows when to cut to the next shot and when to linger a few seconds longer. But above all else, his ability to add an extra texture to each scene is awe-inspiring; it's more than just style for the sake of style; it's essential to the movie's argument.

From the very first shot to the very last, MOONLIGHT is about as beautiful a movie as you're likely to see this year. The colours are rich and luminous; James Laxton's cinematography is visually immersive leaving you stranded inside the story of the film. It moves at a smooth, welcoming pace. The music, whether it be the classical or hip-hop selections as well as Nicholas Britell's subtle score, is perfect. And the performance are, well… they're the cherry on top.

It's uncanny how similar the 3 actors, who played the kid, teenage, and adult versions of Chiron behaved and acted; you'd almost think it was the same actor who played all three roles. Mahershala Ali and Naomie Harris are more deserving of Oscar nominations than just about anyone I've seen this year. They may be the standouts, but all the performances, ranging from the children to the adults, are so raw and powerful; a standing ovation for the casting director is in order.

But perhaps the thing about this movie that deserves the most acclaim is its open-endedness; it's fight against straightforward categorization and recap. MOONLIGHT so much more than a movie about growing up gay; it's about overcoming your adversities and, despite being a product of your environment, figuring out who you want to become. Identity takes time to discover, and that's something anyone can relate to.


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