While both participating in a production of "Death of a Salesman," a teacher's wife is assaulted in her new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
Victoria is a thirty-something divorced lawyer who's struggling to raise her two daughters. She is canny and cynical but on the verge of an emotional breakdown. At a friend's wedding she ... See full summary »
Loïe Fuller was the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers. The film revolves around her complicated relationship with protégé and rival Isadora Duncan.
In 1950's France, Gabrielle is a passionate, free-spirited woman who is in a loveless marriage and falls for another man when she is sent away to the Alps to treat her kidney stones. Gabrielle yearns to free herself and run away with André.
The story of Richard and Mildred Loving, an interracial couple, whose challenge of their anti-miscegenation arrest for their marriage in Virginia led to a legal battle that would end at the US Supreme Court.
'Frantz' would be the perfect film to be aired by the bilingual Franco-German television station Arte. It's half German and half French. In fact, the film is about how these two countries come to grips with the aftermath of the First World War. There is a German and a French lead character, and both languages are spoken. This is unusual, but doesn't feel strange. The story starts in 1919, with a young widow visiting the grave of her fiancé, who died in France during the war. When she notices a Frenchman visiting his grave, she is taken aback. He presents himself as an old friend from the time the soldier studied in Paris. But little things reveal that this is not the whole story. Soon, the truth emerges and the story takes some surprising and moving twists. Acclaimed French director Francois Ozon has put a lot into this movie. It is an anti-war story, but also a bitter-sweet love story as well as a portrayal of a society suffering from a post war trauma. It is most of all an appeal for mutual understanding and rejection of prejudice. In this sense, the message is now more urgent than ever, in view of the growing support for populist and even racist politics on both sides of the Atlantic. The film is shot in beautiful and stylish black and white, perfectly capturing the elegance of the period. Ozon doesn't need any distracting subplots or flashy gimmicks, apart from the use of colour in a few scenes. I couldn't quite figure out the meaning of this. Some colour scenes are set in a different time frame, others seem to indicate the rare moments of happiness in a time that's full of grief and sorrow. The very last scene captures one of those moments in a wonderful way.
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