Outside a mountain town grappling with a series of abductions and murders, Paul (Antonio Banderas), a reclusive writer, struggles to start what he hopes will be a career-saving screenplay. ... See full summary »
Jonathan Rhys Meyers,
A young couple deliberately moves into a haunted house to contact the other side. Until their conduit, a painted black mirror proves to contain a malevolent presence hell-bent on bringing harm to their new family.
Erin Marie Hogan,
A team of highly trained operatives find themselves trapped inside an isolated military compound after its AI is suddenly shut down. The crew begins to experience strange and horrific ... See full summary »
The menu in the diner (seen while the sheriff is talking after he kills the fly) is labeled "Wallace Barbeque" not Gabes Diner as the sign outside says. You can see how they tried to hide it by turning the menus inside out. See more »
The Shadow Effect suffers from a very weak script. Ideas seem plundered wholesale from other movies where they were executed much more effectively, including The 6th Day, The Manchurian Candidate, A Clockwork Orange, Edge of Tomorrow, Total Recall, The Bride and Universal Soldier. The derivative nature of key plot elements could be forgiven, if they were presented with some sort of original twist or insight which is sadly lacking here. The production was clearly limited by a modest budget, estimated at $4MM; however, some very good films have been done with comparably limited budgets, such as Lone Star and Dinner Rush. The difference is creativity. Plot elements that are not shamelessly misappropriated seem contrived. Some elements are simply missing, such as the lack of response by the FBI, DHS and BAFT, motivation, character arcs and theme.
The producers assembled a capable cast and secured a wonderfully rustic cabin in the woods as a location for several key scenes. However, one character is heavily tattooed, which makes no sense relative to a key element in the plot, and it's difficult to imagine how the owner-operators of a rural café with only one employee and not many customers can afford such a home. By contrast, a secret laboratory that would seem to require antiseptic conditions is located in a dingy industrial setting.
However, a DTV potboiler doesn't need to be cerebral, provided it delivers the genre basics: fight scenes, chases, gunplay, explosions and sex. The gunplay is a bit hit-or-miss with a few good scenes and shots, but a lot of weapons brandished without being fired and not many impacts. CGI explosions are pretty decent. A car chase and crash is done well for a film of this caliber, but a character steals what seems to be a souped-up vehicle but doesn't drive it. The fight choreography is clumsy. The sex and nudity are self-conscious, although integral to the plot.
Whereas similar efforts hobble along with very little plot and a lot of eye candy, TSE offers a lot of plot, but very little eye candy. However, the plot is largely incoherent and derivative and not sufficiently engaging to bridge the gaps between the visuals.
15 of 16 people found this review helpful.
Was this review helpful to you?