It's time for a young African American to meet with his white girlfriend's parents for a weekend in their secluded estate in the woods, but before long, the friendly and polite ambience will give way to a nightmare.
In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Chris and his girlfriend Rose go upstate to visit her parent's for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined. Written by
Movie critic Armond White is the only known professional movie critic that gave this film a negative review, thus lowering its excellent Rotten Tomatoes rating from 100 percent to 99 percent. He claimed that it was produced for a liberal agenda and referred to it as a "get whitey" film. The critic is known to give rotten reviews to mainly revered films like Toy Story 3 (2010), which also had an excellent 100 percent Rotten Tomatoes rating. See more »
Losing to Jesse Owens in the qualifying rounds of the Olympics would not have prevented Roman Armitage from making the finals. Up to three runners from the same country can make the finals if good enough. See more »
600th Review: As Lingering and Effective As You Would Want It To Be
Get Out is full of touches and surprises, strong acting, excellent direction, and above it, it's a ride, a trip to a place Hollywood doesn't normally go - it offers a unique experience - and in this age of copycat, cookie cutter safe choice cinema, it stands out by a mile.
Get Out is that rare beast - a film that leaves you satisfied yet pondering. We objected to its constant referral as a horror film - it's an effective thriller with mild horror elements - but it is not a gore/slasher movie - this is more about getting under the skin, and inside the mind, of the viewer.
The plot is simple: girlfriend takes boyfriend home. Home is not what home seems to be. Fun ensues. The genius of this is the way it plays on both white and black perceptions - we asked how the film would be if you reversed all the roles (pretty darn effective) etc;
Get out and see it.
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