7.1/10
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565 user 385 critic

Mother! (2017)

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2:05 | Trailer
A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

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94 ( 28)
3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Him
...
Man
...
...
Younger Brother
...
...
Cupbearer
...
Damsel
...
Consoler
...
Bumbler
Raphael Grosz-Harvey ...
Philanderer
...
Fool
Abraham Aronofsky ...
Wanderer
...
Idler
...
Whisperer
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Storyline

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination, and much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple's inviolable sanctuary? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

seeing is believing

Genres:

Drama | Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for strong disturbing violent content, some sexuality, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 September 2017 (USA)  »

Also Known As:

Day 6  »

Filming Locations:

 »

Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend:

AUD 697,113 (Australia) (17 September 2017)
 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Received an "F" CinemaScore, the worst possible score, which is very rare: Only 19 features have ever received an "F". [Sept. 2017] See more »

Goofs

The first time Mother calls 911 and hangs up after it was answered, the 911 dispatcher doesn't attempt to call back. In reality, 911 would immediately call back on a hang up call. See more »

Quotes

[first lines]
Mother: [after waking up] Baby?
See more »

Crazy Credits

The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »

Connections

Spoofed in The cheermonger zone: krazy daze sail (2017) See more »

Soundtracks

The End of the World
Written by Sylvia Dee and Arthur Kent
Vocals by Patti Smith
Produced by Tony Shanahan
Patti Smith appears courtesy of Columbia Records
See more »

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User Reviews

 
Art is not shoving everything into a blender...
18 September 2017 | by (United States) – See all my reviews

As I say in the title of my review, it is neither artful nor profound to jam every possible reference and metaphor into your movie. It's lazy. It means you have no clear direction and/or are trying to appear meaningful while being unable to resist inserting your own 'struggle' into the 'high concept'... as though you are equating yourself with the existential conflicts of gods and nature... I should think this is the penultimate epitome of pretentiousness and narcissism.

Yes, I got ALL the possible meanings of everything thrust into this amalgamation of horror and pseudo-philosophy tropes. And that was the problem... they were ALL THERE. There was no one idea prevailing; it was, as other reviewers noted, throwing all the poo against the wall and seeing what stuck... and the result was merely akin to a port-a-potty explosion.

The only reason I've given it a 2 was that there were so many abysmal movies this year that this one does rise a little higher by comparison... but only barely.

This is a movie for all the art-house crowd who believe their own self-delusions of brilliance and the Hollywood elite who pat themselves on the back ceaselessly.

I would compare it to the absurdly high praise for "Boyhood".


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