When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.
Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination, and much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple's inviolable sanctuary? Written by
Edinburgh educated sculptor Jessica Harrison is the artist whose works are referenced in the film's poster image released on Mothers Day 2017. Aronofsky cited Harrison as an inspiration, especially her 'broken' figurines works. See more »
The first time Mother calls 911 and hangs up after it was answered, the 911 dispatcher doesn't attempt to call back. In reality, 911 would immediately call back on a hang up call. See more »
Went to the first matinée available locally and I am still thinking the picture over. Will definitely see this one again, if it hasn't left the theatre abruptly. I was certainly horrified by the film, which is a good thing, as I had assumed it was a horror picture. It is, of course, much more than that. Nonetheless, it is NOT The Conjuring or Get Out (both good films, for sure), so just be warned.
By now you are aware that the film has been controversial, also a good thing. Jennifer Lawrence does a fine job and her career is certainly not going to suffer for her performance. I am not exactly a JLaw "fan" (could live without the Hunger Games), although I will pay closer attention to her future performances, especially if she pulls off more roles like this one (really liked Winter's Bone, by the way). As I understand the Hollywood scene, it is a respectable personal decision to take on a challenging role in an avant garde picture, especially if you have already banked serious money from popular roles in blockbusters. Javier Bardem, Michelle Pfeiffer, and Ed Harris also do their respective parts justice--a well-acted film by A-listers, overall. Camera work and special effects are also impressive.
The story is genuinely disturbing in a Requiem for a Dream way, so don't go if you can't handle that sort of thing. Some of the violence is, indeed, OVER THE TOP. Seriously, not for the faint of heart. Aside from the biblical allegory stuff, I found the character portrayals creepy as hell in a (sur?)realistic David Lynch-esque way. Hell is other people!
I applaud Mr. Aronofsky for keeping his vision intact all the way to the big screen. For reference, I just don't need any more movies based on superheros, comic books (except The Tenth or Gen 13), children's cartoons, vampires fighting werewolves, or horror stick about unfriending weirdos on facebook.
You will have to make up your own mind on this one, so please do just that. Even if you end up despising the film, try to remember that, to quote Rob Zombie, "Art's Not Safe."
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