6.9/10
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Mother! (2017)

Trailer
2:05 | Trailer
A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Director:

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Popularity
14 ( 85)
5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Him
...
Man
...
...
Younger Brother
...
...
Cupbearer
...
Damsel
...
Consoler
...
Bumbler
Raphael Grosz-Harvey ...
Philanderer
...
Fool
Abraham Aronofsky ...
Wanderer
...
Idler
...
Whisperer
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Storyline

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination, and much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple's inviolable sanctuary? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

seeing is believing

Genres:

Drama | Horror | Mystery

Motion Picture Rating (MPAA)

Rated R for strong disturbing violent content, some sexuality, nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 September 2017 (USA)  »

Also Known As:

Day 6  »

Filming Locations:

 »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$7,534,673, 17 September 2017, Wide Release

Gross USA:

$17,800,004, 26 October 2017
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is the first theatrical film by Darren Aronofsky not to feature actor Mark Margolis in any way. See more »

Goofs

The first time Mother calls 911 and hangs up after it was answered, the 911 dispatcher doesn't attempt to call back. In reality, 911 would immediately call back on a hang up call. See more »

Quotes

[first lines]
Mother: [after waking up] Baby?
See more »

Crazy Credits

The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »


Soundtracks

The End of the World
Written by Sylvia Dee and Arthur Kent
Vocals by Patti Smith
Produced by Tony Shanahan
Patti Smith appears courtesy of Columbia Records
See more »

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User Reviews

 
Moab (Mother of all Box-Office Bombs)
16 September 2017 | by See all my reviews

These days, we live in a world where most things are terrible and don't make any sense. Yet, a film like Mother! can still come along and disgust audiences. A film so off-putting, Rex Reed declared it "The worst film of the century". Make no mistake, Mother! is a profoundly polarizing film. But that is only because it went mainstream. It stars mainstream actors. It's distributed by Paramount. In recent years, the art-house and the multiplex have never crossed paths. But as the era of the blockbuster fades away, it was only a matter of time for Hollywood to return back to it's roots. To bring us back to the late 1960's, where most films meant something. Films that grab you. Films that push serious boundaries. I rarely leave a theater shaken. But Mother! did just that. It is a beautiful, terrifying assault on your senses.

Jennifer Lawrence and Javier Bardem play a lovely couple. Bardem is a struggling poet, while Lawrence tends to her house obsessively. Everything seems fine on the surface. What's that, you ask? The house has a heart! I admit the deed! Tear up the planks! Here, here! It's the beating of his hideous heart! ... and scene. Thank you for indulging me. No seriously, the house has a heart.. and internal organs. It's a living entity. I heard of the phrase "Home is where the heart is" but this is ridiculous. Is it? Lawrence plays someone that wants to be a mother to something. Her house? What happens when adoring fans come rushing in to see Bardem? Unwelcome visitors all! They wreck the house and impede on Lawrence's hard work. This must not go on. To fill the void, Bardem and Lawrence conceive a child. As the days go on, the guest list becomes bigger and bigger. By the film's midpoint, the house becomes a small city of thieves and squatters. After that, I must not share anymore. Because if you're already confused by what I'm telling you.. you don't know what confused is, my friend.

How does one interpret Mother! It's the quintessential art-house/midnight movie. Therefore, anything is plausible. Aronofsky intended it that way. He juggles many concepts and critiques about life itself. Motherhood, paranoia, fame, claustrophobia, selfishness, lust, rage, war, peace, religion, gender, history.. Mother! is whatever you want it to be and more. If you know that going in, this will be a breeze. If you don't, you will loathe every second of this film and I won't blame you. It is a lot to swallow. The climax of the picture is well orchestrated insanity. Arguably, the most intense sequence of events captured on screen since Children of Men. By comparison, Requiem for a Dream is almost entirely palpable. You sit back in your seat and think "Enough already. This is too much. Wow. It's not stopping. Please stop.". But that is precisely the point. Aronofsky does not let up until you are mentally drained from watching. But at least to ease some of the pain, you see a lot of Jennifer Lawrence's face, up-close. Most of the film is on her face. In real life, she is in a relationship with Aronofsky. Coincidence? No, not a coincidence. This is the mark of a filmmaker madly in love with his star. On an emotional level, that shows.

Mother! is not a film to go into blind.. but that certainly helps the experience. Polarizing, disturbing films are not crowd pleasures by any stretch, but that's never been an area that bothers me. Films like these fascinate me. Their lack of decorum fascinates me. The reactions from the audience fascinate me. On Lars Von Trier's best day, he couldn't have conjured a film like Mother! .. and if he did, he would've have let it be seen in a shopping mall.


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