Critic Reviews



Based on 20 critic reviews provided by Metacritic.com
It is a well made, well controlled film, and its sullenly monomaniac quality – perhaps partly a function of the star doing the writing and directing – is entirely appropriate for the subject matter.
Perhaps understandably, it’s slightly scrappy and can feel a little like an overextended TV sketch in places. I laughed hard – feeling like a bit of a sicko – but you might find it plain nasty.
Covering depression, grief and pregnancy as body-horror, the end result is a palpably unusual mix of comedy, pathos and gruesome violence
Serving as an allegory on post- and antenatal depression, Prevenge is a kaleidoscope of violence and humour, a tense tale that wickedly extracts laughs through the banality of its suburban setting.
Conceived out of Lowe’s own experiences with pregnancy and shot while she was herself seven months along, the movie is a distinct blend of black humor, viciousness, body horror, and pathos.
Uneven though it is, and downright shaggy at times, Prevenge is valuable in that it plots so unexpected an expectant-mother story — one in which pregnancy is actually ultimately minimized in terms of its impact on the story.
While not every tonal downshift here is entirely fluid, this remains a smart, risky one-off, unconcerned with those (and there will be many) who can’t acquire its taste.
Slant Magazine
Alice Lowe evinces a knack for locating society’s most awkward pressure points, and a willingness to punch them.
As with babymaking, the conception is more fun than the delivery, which comes perilously close to turning our knocked-up heroine’s kill list into a series of very dark alt-comedy sketches.
Alice Lowe’s directorial debut may falter in its grip, especially in story and tone, but it’s a daringly evocative film that marks a filmmaker of imagination and promise.

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