The coffin of an expatriate worker with manipulated identity intense the identity crisis when another person's corpse is found inside.

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(story) (as Toukir Ahmed), (dialogue) (as Toukir Ahmed) | 1 more credit »
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Top Rated Indian Movies #6 | 4 wins. See more awards »
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Cast

Credited cast:
...
Ramjan Ali
...
Farhad
Nipun ...
Beauty (as Nipun Akhter)
...
Kifayet Uddin Pramanik
...
Wahab's Father
Shatabdi Wadud ...
OC Kuddus
Shahed Sharif Khan ...
Wadud
Shahed Ali ...
Rahman
...
Member
Rest of cast listed alphabetically:
Iqbal Babu
Nur A Alam Nayon ...
Man at Probasi Kallyan Bhaban
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Storyline

Kifayet Uddin's son went abroad six month earlier but has no communication since last month. OC of the nearest police station has the news of a death of expatriate worker. He goes to the house to inform his guardian but found that person alive in another country. He finds Ramjan Ali responsible for this. He is connected human trafficking with fake passport who sent Kifayet's son in place of Wahab. Ramjan clears everything about this hustle and takes the responsibility of the corpse. Ramjan, Kifayet and Rahman bring the corpse to home but find a different corpse in the coffin. Written by wakim

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

19 August 2016 (Bangladesh)  »

Also Known As:

The Unnamed  »

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Trivia

Official selection from Bangladesh in the Foreign Language Film category at the 2017 Academy Awards. See more »

Soundtracks

Amar Shona Jadhu
Performed by Pinto Ghosh
Written by Tauquir Ahmed
Composed by Pinto Ghosh
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User Reviews

 
More Than A Story
30 December 2016 | by (Bangladesh) – See all my reviews

The movie opens with a young boy in a village running with a hand- made plane propeller, fueled by innocent dreams of splendor. Beauty (played by Nipun) is a single mother who struggles to make ends meet and is the subject of prejudice due to her gendered position in society. Her escapist dreams of working abroad parallels the innocent visions of the young boy, unaware of the grim realities of a migration process enabled through nefarious means such as forged passports and bribes. Asir's (represented in the film with just a name and no actors) death and the search for his body becomes a catalyst in unmasking the sinister truths, and raises thought- provoking questions at the existential reality of passports and paper IDs preceding our identities. Additionally, the film offers some comic relief as well: Farhad, a police officer played by Mosharraf Karim delivers instances of hilarity as he struggles to make sense of what is happening around him, as well as his efforts to overpower Ramzan (Shahiduzzaman Selim) in his affair with Nipun. This is reminiscent of the clowning scenes within Shakespearean tragedies to offer an emotional vacation from the serious nature of the narrative. The film's strongest point is the novel plot, as well as the powerful acting performances delivered by Shahiduzzaman Selim's role as a corrupt manpower agent, and Fazlur Rahman Babu's convincing execution of a mourning father. However, the film does not offer a solution in its exploration of a dilemma that is close to home for many of the viewers. It ends on a defeating note as Nipun resigns to a life of hardship and injustice and gives up her dreams of traveling, and comes full circle as the film ends with Asir's father chasing his grandson who plays in a make-believe world of traveling abroad, like his father. It accurately depicts the perpetuating cycle of the expats' dreams of travel as well as the procedures many undertake in making them a reality.


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