Set over one summer, the film follows precocious 6-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
A story that follows as a New York woman (who doesn't really have an apartment) apprentices for a dance company (though she's not really a dancer) and throws herself headlong into her dreams, even as their possibility dwindles.
An art student taps into a rich source of creative inspiration after the accidental slaughter of her rapist. An unlikely vigilante emerges, set out to avenge college girls whose attackers ... See full summary »
Clifton Collins Jr.,
A veteran tracker with the Fish and Wildlife Service helps to investigate the murder of a young Native American woman, and uses the case as a means of seeking redemption for an earlier act of irresponsibility which ended in tragedy.
This film and Okja (2017) generated some controversy after being selected for the competition line-up of the 2017 Cannes Film Festival, due to the fact that, as Netflix productions, they wouldn't receive a theatrical release in France after the festival. Netflix did try to make a deal with French distributors and cinema chains for a limited release prior to the streaming premiere, but this was hindered by very strict French laws which prevent any film that's released in cinemas from being available on a streaming service prior to 36 months after the original theatrical release date. Although both films were retained in the competition line-up, the festival did respond to the controversy by amending its rules, specifying that, starting with the 2018 edition, all filmmakers and producers submitting their work for consideration for the competition must be committed to obtaining regular theatrical distribution in France. See more »
The Meyerowitz Stories starts with a critique of Manhattan's constantly changing architectural landscape that has very much to do with why Adam Sandler's character is unable to find a parking spot. Unable to critique his own life, which has broken apart and aggravated since his divorce, he is now trying to mend his relations with his father (or please him rather), a three-time divorcée, an unpopular sculptor who is excited he met Sigourney Weaver, and sort of a pivot to his total of three children. Noah Baumbach's writing, that covers a whole wide spectrum of comedy, will crack you up. It's surprising because these are not second-hand jokes spewed by Sandler, as you'd think, but funny social mix-ups also involving Dustin Hoffman, Ben Stiller, Elizabeth Marvel, and Emma Thompson that reflect life as you know it. I do not know if I can call these characters dysfunctional (go watch the Bluth family) because there's a certain degree of truth and warmth in their airs; I almost am a Meyerowitz myself. Of course, also blame the goofy editing, the writing slips into boredom theater at some point in the second act with occasional slug-fests and slapstick ruining the flow, but Baumbach manages to wrap it up with a satisfying climax. The Meyerowitz Stories is essentially a film where the characters, although talking to each other, are talking about different things. So you are watching two films at once.
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