In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
During the early days of World War II, the fate of Western Europe hangs on the newly-appointed British Prime Minister Winston Churchill, who must decide whether to negotiate with Hitler, or fight on against incredible odds.
Kristin Scott Thomas
Set over one summer, the film follows precocious 6-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
From master storyteller Guillermo del Toro comes THE SHAPE OF WATER, an otherworldly fable set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa's life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg, and Doug Jones. Written by
Fox Searchlight Pictures
The general's ribbon bar is upside down. The Silver Star and Distinguished Service Medal were his highest honors, and should be on the top row, not the bottom. His WW2 Victory Medal is much lower in precedence and should be on a lower row, not the top. See more »
He's a wild creature. We can't ask him to be anything else.
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Guillermo Del Toro's newest film "The Shape of Water" took my breath away. Easily this is Del Toro's finest film since "Pan's Labyrinth" and may even be his best in general. This is a film where Del Toro weaves magic throughout with a story he created which is simple, yet layered with such interesting facets embedded in each character, set, and prop as he allows the audience to discover this intimate and fascinating world of "broken" people searching for a moment of meaning. Captivating from its opening scenes with haunting visual imagery, and a lyrical score by Alexandre Desplat, one is immediately enthralled by this fairy tale that is not your usual saccharine variety that Disney cranks out.
Del Toro knows how to tell a story with wit, style and heart. Assembling a cast headed by the incandescent Sally Hawkins in the role of Eliza who is mute throughout the film, but exudes such humanity and strength along with the villainous Michael Shannon who provides a great balance. Every single actor sparkles because every character has been developed with great care. Richard Jenkins and Octavia Spencer shine in their roles bringing a touch of quirkiness and humor to this sometimes dark story.
The film is achingly nostalgic with glorious production design by Paul D. Austerberry evoking the Baltimore of 1962 full of fascinating textures of faded glory, especially in the magnificent design of Eliza's apartment and hallways. Exquisite camera work by Dan Laustsen and beautifully designed costumes by Luis Sequiera contribute greatly to complete Guillermo Del Toro's vision.
This film is really the ultimate version of "Beauty and The Beast" with a touch of "ET", capped off with a very emotional investment, that pays off for the audience in its poetic and lyrical final scene.
Certainly one of the finest films of 2017.
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