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In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh to deliver the troubled artist's final letter and ends up investigating his final days there.
Abdul Karim arrives from India to participate in Queen Victoria's golden jubilee. The young clerk is surprised to find favor with the queen herself. As Victoria questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance that her household and inner circle try to destroy. As their friendship deepens, the queen begins to see a changing world through new eyes, joyfully reclaiming her humanity.
When filming began in September 2016, Judi Dench was one month older than the age that Queen Victoria was when she died. See more »
Victoria said she was ruler of "nearly a billion people". The English language adopted this Americanism for 1000 million only in the 1990s. See more »
I understand there is some concern over my desires on preferment. I understand feelings have run high. And I understand you have decided to resign rather than withstand my decision. If any one of you wishes to tender their resignation, it will be accepted, without any unfortunate consequences. But at least have the decency to do it to my face! Anyone wishing to resign, please step forward.
[silence, as Queen Victoria sees that no one in the household is willing to resign]
Hmm. I would like to ...
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The history of England was blessed with several famous queens - starting with head-losers Anne Boleyn and Mary Stuart, continuing the two Elisabeth's and of course Queen Victoria, the record holder of longevity until recently, the queen who gave her name to a whole era of maximal glory and expansion of the British Empire. The big dames of English cinema were accordingly blessed with the respective fabulous roles that they love to bring to the big screens and are regarded as peaks of their careers. For Dame Judi Dench, Victoria and Abdul directed by Stephen Frears provides (for the second time actually) the opportunity to create a memorable portrait of Victoria. Her success in completing this task is the best part and the best that can be said and written about this production. Unfortunately, this is not the only thing that can be said and written about this film.
It's very difficult to disconnect the historical episode of the relationship between the old widow who was also the queen of the largest empire on earth at her time (and maybe at all times) and the Muslim servant from India who raised to become her secretary, counselor, spiritual adviser, friend, surrogate son and maybe more than all these, and the political situation today, 120 years later, when the divided Britain faced with the realities of globalization and immigration tries to put again sea and borders between her and Europe. The authors of the film invested quite a lot in describing the atmosphere of the imperial households and its corridors of power and gossip with the adequate costumes and decoration but they are talking all the time to the contemporary spectator while telling a story based on real history or facts as they happened ... or almost, as they cautionary and wisely warn us in the opening.
We are thus left with an impossible friendship and even love story, impossible because of a mountain of reasons: class differences, race prejudices, age gap, cultural and historical precipices. The only thing that can save such a film from falling in complete melodrama or faked rhetoric is the human dimension. In Victoria and Abdul this dimension is only partially delivered by the splendid acting performance of Judi Dench. Unfortunately, the rest of the cast cannot come even close to her class. Ali Fazal is fit physically but lacks the nuances that can explain some of the contradictions of his personality. We never know or really understand what is his real class background, whether the deepness of his knowledge in the Quran and oriental culture is genuine, or if he intentionally misled his beloved queen in the details of the history and realities of the inter-faith conflicts on the Indian continent. The rest of the cast is condemned to represent a gallery of half-ridiculous, half-perverse characters representing the British aristocracy class full of prejudice and bad faith. If only the caricature would have been pushed a little further we could have had more comical fun, but Stephen Frears could not really abandon the ambition of passing some important message about today's politics. In my opinion he failed, and the principal great merit of this film is telling a half-baked potential love story while allowing Judi Dench to add another great role to her illustrious filmography.
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