6.2/10
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1 user 22 critic

Laissez bronzer les cadavres (2017)

| Thriller | 2018 (USA)
The Mediterranean summer: blue sea, blazing sun....and 250 kg of gold stolen by Rhino and his gang! They had found the perfect hideout: an abandoned and remote hamlet now taken over by a ... See full summary »
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In theaters 2018.

1 nomination. See more awards »

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Cast

Credited cast:
Marc Barbé ...
Max Bernier
Bernie Bonvoisin ...
The bald brute
Dorylia Calmel ...
The wife
Stéphane Ferrara ...
Rhino
Bamba Forzani Ndiaye ...
The son
Marilyn Jess ...
Policewoman (as Dominique Troyes)
...
Luce
Michelangelo Marchese ...
The lawyer
Pierre Nisse ...
The young thug
Marine Sainsily ...
The nanny
Tristan Schotte
Hervé Sogne ...
Policeman
Aline Stevens ...
The gold beauty
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Storyline

The Mediterranean summer: blue sea, blazing sun....and 250 kg of gold stolen by Rhino and his gang! They had found the perfect hideout: an abandoned and remote hamlet now taken over by a woman artist in search for inspiration. Unfortunately surprise guests and two cops compromise their plan: the heavenly place where wild happenings and orgies used to take place turns into a gruesome battlefield....Relentless and mindblowing.

Plot Summary | Add Synopsis

Genres:

Thriller

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Release Date:

2018 (USA)  »

Also Known As:

Let the Corpses Tan  »

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Did You Know?

Soundtracks

Zombie Parade
(from "Zombie Holocaust")
Written by Nico Fidenco
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User Reviews

Let the corpses tan and the audiences sleep

First, let me tell you that I highly liked the Jean Patrick Manchette's novel which this film is based on, and written and - or - produced by Doug headline - Manchette's son. That said, this film is faithful to the novel written back in 1971. At least if you consider the narrative ark, the basic scheme. This book from 1971 was a turn in the French crime novels history; it was one of the last French crime novels where it was question of gangsters, bank robbers and so on, which was a topic usually spoken about since the fifties and Auguste Le Breton, José Giovanni and so on...After this novel it was the beginning of the post May 68 era and the rise of the "subversive" crime novels, inspired by extreme left winged ideas and topics, stories highly against the establishment and political power. Manchette was the master in this field. He opened the road. Back to this film, it is faithful to the book BUT the aesthetic aspect is too much hysterical, totally crazy. NOT FOR ME. Most of the scenes are unexplained, absolutely senseless, you wonder where the screenplay drives at. This was unbearable for me. Sorry. I won't say that's a crap movie. No, but simply not for my taste. But I am aware that this feature is a big tribute to the sixties ear and the spaghetti western in particular. I won't even mention the Ennion Morricone like score. This movie seems most of the time boring. I nearly fell asleep at some times. I deserves although to be seen. The armored truck heist sequence is also a tribute, but to Jean Pierre Melville's masterpiece THE SECOND BREATHE, in the heist attack scene, on the lost sea side mountain road.

This movie is like a pasta dish, with or without red pepper. It could have been told in a raw way, without all those artifices. But maybe some audiences could have found this tasteless. So they used this camera eccentricities.

See for yourself.


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