6.2/10
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Beatriz at Dinner (2017)

R | | Comedy, Drama | 9 June 2017 (USA)
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An holistic medicine practitioner, attends a wealthy client's dinner party, after her car breaks down.

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1,369 ( 277)
1 win & 5 nominations. See more awards »

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Cast

Cast overview:
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Kathy
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Alex
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Jeana
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Grant
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Evan
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Marcus
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Rosa
Amelia Borella ...
Heidi
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Security Guard
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Suzana
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Storyline

An holistic medicine practitioner, attends a wealthy client's dinner party, after her car breaks down.

Plot Summary | Add Synopsis

Taglines:

She was invited, but she's not welcome.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language and a scene of violence | See all certifications »
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Details

Country:

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Release Date:

9 June 2017 (USA)  »

Also Known As:

Beatriz na kolacji  »

Box Office

Opening Weekend:

$141,958 (USA) (9 June 2017)

Gross:

$6,457,859 (USA) (14 July 2017)
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Company Credits

Production Co:

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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The movie features music from Mike White's previous TV series Enlightened (2011), which also had episodes directed by Miguel Arteta. See more »

Goofs

Beatriz drives from Santa Monica south to Newport Beach, but we see her driving on the 101 Freeway in Agoura Hills, which is many miles northwest not only of Santa Monica but Los Angeles proper. See more »

Quotes

Beatriz: All tears flow from the same source.
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Soundtracks

An Ending (Ascent)
Written and Performed by Brian Eno
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User Reviews

 
I liked this a Whole Lot
22 June 2017 | by (United States) – See all my reviews

I liked this film a whole lot. And yes, perhaps some of the characters are a bit obvious, the story a bit contrived in having combative protagonists attending the same dinner party. I'll give that to those who dislike this film. But Beatriz has something to say, it says it in a dramatic, well-timed, rapidly moving way. The characters played by Selma Hayek and John Lithgow could have been over-the-top, but they're not; a certain humanity peeks through even in Lithgow's villain, an attempt at calming herself is evident in Hayek's manner. . The characters who sit between Hayek's and Lithgow's extremes are easy to identify with; I was embarrassed to see much of my wise-cracking young self in the young real estate developer. Some reviewers have found fault with the film's closing act, calling it too ambiguous, or a choice of ambiguity over resolution. Not I. I found the ending perfect. Easy to understand and believable. Finally - and this is really important - I do love Selma Hayek.


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