At the end of the 80's, by the creeks of the Arauca river, near the Colombian-Venezuelan border, two men survived the brutality of a shooting in which 14 of their mates were killed. They ... See full summary »
After years of working on an 'estancia' in Patagonia, the Old Foreman is forced to retire and a younge'r man takes his place. The change is difficult and challenging for both men. Each one must survive the oncoming winter.
A couple in a troubled marriage locate a meteorite, initiating an encounter with a mysterious creature. Their lives are turned upside down by the discovery of the creature, which is a source of both pleasure and destruction.
Since their parents split up, Sara and her younger sister live with their mother, whose new partner is a woman. Everyday life for the four of them is very similar to that of other families. But not everyone sees it that way.
Pepa San Martín
It's summertime in Athens and Nikos, a 30-year-old broke musician, is taking care of a luxurious villa in the suburbs that belongs to a friend of his. Between poolside cocktails and fooling... See full summary »
Jake and Mati are two outsiders in Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.
Sometimes a film is slow, with characters doing not much and featuring lengthy shots of little import, but it works. Other times, as with 'Jesús', it does not.
The titular character is a member of a teenage gang in the Chilean capital Santiago. The lads pass their time practicing their 'K-pop' moves, watching execution videos, drinking and having casual sex. Just as the viewer is losing the will to live (I kept myself alert by mentally compiling my shopping list), things spark - but only a little
when the gang viciously assault a drunk they find in a local park.
With the man hospitalised in a coma and the police closing in, the gang turn on each other, with Jesús himself torn between betraying his erstwhile friends or evading justice himself.
My word, does this film drag. Those lengthy shots of people driving, or walking down a street, or eating; the conversations with only one participant in camera (and often in extreme close-up); the 'workshopped' feel to much of the activity... I do not think I have ever been so bored by a film! The actors do their best - Alejandro Goic, as Jesús' often-absent father faced with parental responsibility of the most difficult kind, is noteworthy - and I suppose as a portrayal of aimless, hopeless South American youth the film certainly gets its message across, but there is an overpowering feeling of dullness about it all. Although the sex scenes are daringly explicit, even they have a feel of being chucked in just to keep the viewer from nodding off.
Not one for a repeat viewing!
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