From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
I dream about a visit. I dream that I should visit, him that travels round. His name is Jose, and he lives in Lasac. I thought he, we , I I dreamt that, he, we make pizza and rosehip juice ... See full summary »
During a student party, Mariam, a young Tunisian woman, meets the mysterious Youssef and leaves with him. A long night will begin, during which she'll have to fight for her rights and her ... See full summary »
Khaled Walid Barsaoui,
Kaouther Ben Hania
Mariam Al Ferjani,
A native of Mauritania is delighted when he is chosen to work in Paris. Hoping to parlay the experience into a better life for himself, he eagerly prepares for his departure from his native... See full summary »
A father and his estranged son must come together to hand deliver his daughter's wedding invitations to each guest as per local Palestinian custom, in this rousing family drama from Annemarie Jacir (When I Saw You).
10 year old Tsering lives in the difficult terrain of the Himalayas. One day he accidentally breaks his friend's school chair. When he decides to bring the chair back to his village, the 7 ... See full summary »
Diamantina Mountains, Brazil, 1821. A slave trader, ANTONIO, returns to the decadent, but imposing farmhouse he inherited to discover his wife has died in child birth. Confined to this ... See full summary »
I was expecting Brewster's-Millions-with-a-goat, I got something like the very essence of charm: a wonderfully atmospheric story of burgeoning sibling friendship, set on a Caribbean island, about a brother and sister who accidentally wreck their parents' car by running over a goat, and hatch one scheme after another to try to get level.
Colombian director Samir Oliveros shot the film on Providence Island (an old colonial outpost owned by Colombia) using non-professional local actors, a score written by local musicians (several of whom play on screen) and the locales as another character in a way that recalls a film of escape, change and geographical flavour that I've always loved, Seducing Doctor Lewis. Bad Lucky Goat is very funny when it wants to be, though it's not packed with jokes: much of the joy lies in its genuinely offbeat sensibility and its deceptively lofty ambitions.
Oliveros, who'd made just one previous short and is now doing a master's in LA, told me (as I was bothering him in the lobby) that he shot this one "guerrilla-style" and is now learning how to be a professional filmmaker, ideally in Hollywood. I hope that training doesn't erode the instinctive brilliance of this debut, which is fast-moving but laid-back, packing an astounding amount into its 76 minutes, dealing with themes of superstition, familial loyalty and accidental goat slaughter, and featuring beautiful performances from the two young leads − both of whom are now eyeing careers on screen. Like the rest of the cast, they adapted Oliveros' English-language script into their phonetic local language, Creole, and I could listen to their slang-heavy exchanges all day.
I got lost in its world, and while the film's trip to the cockfights may be a bit of a rude shock to myself and my other libtard cucks, it ultimately did little to dispel the film's very special atmosphere.
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