In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
Spring. Yorkshire. Young farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker for lambing season ignites an intense relationship that sets Johnny on a new path.
Harry Lister Smith
A group of German construction workers start a tough job at a remote site in the Bulgarian countryside. The foreign land awakens the men's sense of adventure, but they are also confronted ... See full summary »
Early 1990s. With AIDS having already claimed countless lives for nearly ten years, Act up-Paris activists multiply actions to fight general indifference. Nathan, a newcomer to the group, has his world shaken up by Sean, a radical militant, who throws his last bits of strength into the struggle.
A story with a particular historical moment in mind has been rendered timeless. A random first generation Gameboy generates a temporal whiplash, as the film's events are portrayed as contemporary catastrophes. Silence equates to death, and the team meeting in a college lecture hall has dwindling numbers, yet deafening shouts.
A prejudicial plague scorches France, bringing an already tight-knit community into a blood brotherhood. ACT UP is a guerrilla group full of eventual corpses. The HIV epidemic has threatened their love and survival. Pharmaceutical companies have cubical indifference as antidotes are sluggishly distributed by financial logistics.
As the non-violent vigilantes face just as many internal conflicts as press-generated woes, their operations grow in scale and creativity. Their weekly conferences have an intentional cadence complete with respectful snaps, hisses, and hand signals designed to facilitate the mutual understanding that has gone extinct beyond the university walls.
Sean is one of he founding members, and has some of the worst test results. He is the loudest in any given demonstration, and celebrates harder than all his peers. ACT UP is Sean's final lifeline, and his involvement resounds as a funeral dirge among a thunderous parade.
Campillo has delivered another dialogue driven barrage of human desperation. The sprinkling of establishing shots offer a reprieve from the claustrophobic disputes between the positives and the businessmen impartial to death. An important angle to an understated tragedy that shaped legislation in the most vital ways.
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