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Bob Fernley

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What Does It Take to Make a Batman Movie?

Can a Batman movie be directed by anybody? Not necessarily. Let's travel through the lens to break down the artistic chops director Matt Reeves will need for his take on The Batman.

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1 nomination. See more awards »

Known For

The Abyss Visual Effects
Four Brothers Editorial Department
Running Scared Editorial Department
Pleasantville Visual Effects


Hide Hide Show Show Visual effects (24 credits)
 2001 Aizea: City of the Wind (Short) (digital film scanning and recording)
 1998 Pleasantville (digital imaging supervisor: Cinesite Digital Imaging)
 1998 Primary Colors (digital scanning supervisor) / (split recording supervisor)
 1998 Hard Rain (digital imaging supervisor: Cinesite)
 1997 Titanic (digital imaging supervisor: Cinesite)
 1997 Air Force One (digital imaging manager: Cinesite)
 1996 Space Jam (film recording operator: Cinesite)
 1996 Lawnmower Man 2: Beyond Cyberspace (scanning operator: Cinesite)
 1995 Waterworld (digital recording operator) / (digital scanning operator)
 1994 Baby's Day Out (scanning operator: Cinesite - uncredited)
 1993 The Meteor Man (optical camera operator)
 1992 Death Becomes Her (optical processing: ILM)
 1991 Hook (optical department)
 1990 Back to the Future Part III (optical processing)
 1990 The Hunt for Red October (optical processing: ILM)
 1989 Always (lab technician)
 1989 Back to the Future Part II (optical processing: ILM)
 1989 The Abyss (optical processing: ILM)
 1989 Indiana Jones and the Last Crusade (optical processing: ILM)
 1988 Who Framed Roger Rabbit (optical processing)
 1988 Willow (optical lab technician)
 1987 The Witches of Eastwick (production support: ILM)
 1986 Star Trek IV: The Voyage Home (optical processing)
 1986 Howard the Duck (production buyer: ILM creature shop)
Show Show Editorial department (16 credits)

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