Tomas Milian - News Poster


Review: Umberto Lenzi's "The Tough Ones" (1978); Blu-ray Special Edition From Grindhouse

  • CinemaRetro
By Todd Garbarini

Umberto Lenzi was one of the most prolific Italian genre directors working in Italy, but he is virtually unknown here in the States outside of the circles of the most die-hard of genre fans. In fact, his work is so obscure at times that even adherents to his most extreme horror movies don't even follow the other dramatic work for which he is also known despite his roster of titles on the IMDb. Much of International Cinema is “inspired” by American filmmaking (i.e. outright ripped off from) and following the Oscar-winning success of William Friedkin’s masterful 1971 crime drama The French Connection, with its astounding subway/car chase, Italy dove head-first into the Eurocrime, or poliziotteschi, genre headfirst making a slew of action films where the camera’s point-of-view is inspired by Owen Roizman’s work on the aforementioned real-life-inspired crime film. Filmed in late 1975 in
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The Last Movie

Dennis Hopper’s legendary follow-up to Easy Rider ended his Hollywood directing career for at least fifteen years. Barely seen again after brief premiere bookings, it hasn’t built up a reputation as a suppressed masterpiece. So what is it exactly? A new spotless restoration gives a dazzling rebirth to Hopper’s Perú- filmed deconstruction of Hollywood. The astonishing number of notables in the cast list may in itself demand a viewing.

The Last Movie



1971 / Color / 1:85 widescreen / 108 min. / Street Date November 13, 2018 / 39.99

Starring: Dennis Hopper, Stella García, Tomas Milian, Don Gordon, Julie Adams, Donna Baccala, Sylvia Miles, Rod Cameron, Severn Darden, Sam Fuller, Peter Fonda, Henry Jaglom, Michelle Phillips, Kris Kristofferson, Dean Stockwell, Russ Tamblyn, Clint Kimbrough, John Phillip Law, James Mitchum, Richard Rust, Toni Basil, Michael Anderson Jr.

Cinematography: László Kovács

Production design: Leon Ericksen

Film Editors: David Berlatsky, Antranig Mahakian, Dennis Hopper, [Alejandro Jodorowsky]

Original Music: Severn Darden,
See full article at Trailers from Hell »

Don’T Torture A Duckling – The Blu Review

Review by Roger Carpenter

While Lucio Fulci made his reputation with a series of graphically violent horror movies like Zombie (Aka Zombi 2), City of the Living Dead (Aka The Gates of Hell), The House by the Cemetery, The Beyond, and The New York Ripper, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Fulci was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling.

As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy.
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Nest of Vipers & Tails, You Lose…

Guest Reviewer Lee Broughton is back, with another Italo Western double bill DVD review. Wild East’s ongoing Spaghetti Western Collection continues to grow and this double bill release is particularly welcome since it features two obscure and wholly idiosyncratic genre entries from 1969. Italian Western directors had found it relatively easy to appropriate key plot points and ideas from Sergio Leone’s Dollars films during the genre’s early years but when Leone’s sprawling, mega-budgeted, meta-Western Once Upon a Time in the West was released in 1968 it was clear that this was one genre entry that local filmmakers would not be able to easily emulate.

With scriptwriters and directors now essentially being forced to come up with their own ideas and generic trends, a new wave of Spaghetti Westerns were produced that effectively took the genre in a multitude of new directions. The two films featured here were part of that wave.
See full article at Trailers from Hell »

Blu-ray Review: Lucio Fulci’s Don’T Torture A Duckling (1972)

If I haven’t made it clear in previous articles or on social media, let me do so now: I’m a firm believer that Lucio Fulci is one of, if not the, greatest horror directors to ever live. While dismissed as a schlock artist by critics in his time, Fulci’s unique brand of horror, borne from a holy fusion of market-friendly gore and surrealist pure cinema, has aged remarkably well. But before he mingled among zombies or cracked open the gates of hell, Fulci directed a few violent giallo films, including the incredibly depressing Don’t Torture a Duckling, which recently received a new restoration and Blu-ray release from Arrow Video.

Don’t Torture a Duckling isn’t your usual giallo. While it has all of the signatures of the sub-genre—red herrings, black gloves, sexuality—the conventions and tropes are slightly skewed. Instead of taking place in
See full article at DailyDead »

Don’t Torture a Ducklilng

Don’t Torture a Duckling


Arrow Films

1972 / Color / 2:35 widescreen / Street Date October 2, 2017

Starring Barbara Bouchet, Florinda Bolkan, Tomas Milian, Irene Papas

Cinematography by Sergio D’Offizi

Written by Lucio Fulci, Roberto Gianviti, Gianfranco Clerici

Film Edited by Ornella Micheli

Produced by Renato Jaboni

Music by Riz Ortolani

Directed by Lucio Fulci

Lucio Fulci’s most consistent trait might have been his instability. In fact it may have been the Italian director’s defining quality; lingering throughout his films is the inescapable notion that, no matter how stylish or finely-tuned his mise en scene, he will surely find a way to fly off the rails and take everyone with him. He’s the crazy ex-girlfriend of filmmakers.

Fulci made his rep in the late 70’s and early 80’s with a series of crassly exploitative horror films, high on gore and low on logic. Nevertheless he began his career on
See full article at Trailers from Hell »

Blu-ray Review – Don’t Torture A Duckling (1972)

Don’t Torture a Duckling, 1972.

Directed by Lucio Fulci.

Starring Florinda Bolkan, Barbara Bouchet, Tomas Milian, Irene Papas, and Marc Porel.


A rural Italian village is plagued by child murders and the finger of suspicion points to several of its locals.

Set in rural Southern Italy, Don’t Torture a Duckling followed in the wake of director Lucio Fulci’s glamorous giallo A Lizard in a Woman’s Skin, a taut thriller set in the glitzy world of swinging London. …Duckling, despite also being a giallo, is a rather different beast with its gentler, less colourful location but also its themes of social upheaval, differing beliefs and that biggest of targets for this particular director, the Catholic Church.

The plot involves the quiet village of Accendura where the peace is shattered by a spate of child murders. Naturally, the residents are outraged and want the killer caught but the
See full article at Flickeringmyth »

Lucio Fulci’s Don’T Torture A Duckling Coming on Blu-ray September 12th from Arrow Video

Lucio Fulci’s Don’T Torture A Duckling (1972) will be available on Blu-ray September 12th from Arrow Video

From Lucio Fulci, the godfather of gore (The Psychic, The Beyond), comes one of the most powerful and unsettling giallo thrillers ever produced: his 1972 masterpiece Don’t Torture a Duckling.

When the sleepy rural village of Accendura is rocked by a series of murders of young boys, the superstitious locals are quick to apportion blame, with the suspects including the local “witch”, Maciara (Florinda Bolkan, A Lizard in a Woman’s Skin). With the bodies piling up and the community gripped by panic and a thirst for bloody vengeance, two outsiders – city journalist Andrea (Tomas Milian, The Four of the Apocalypse) and spoilt rich girl Patrizia (Barbara Bouchet, The Red Queen Kills Seven Times) – team up to crack the case. But before the mystery is solved, more blood will have been spilled,
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‘Eurocrime!’ DVD Review

  • Nerdly
Featuring: John Saxon, Franco Nero, Henry Silva, Ottaviano Dell’Acqua, Leonard Mann, Richard Harrison | Written and Directed by Mike Malloy

Eurocrime! The Italian Cop and Gangster Films That Ruled the ’70s, to give the film it’s full title, is a welcome and affectionate look at the Italian poliziotteschi films of the 1970s, films such as High Crime, Milano Calibro 9, Street Law and Napoli Violenta which, whilst heavily influenced by 70s Us cop and gangster films like Dirty Harry and The Godfather, also touched upon real Italian issues – the Sicilian Mafia and the Red Brigade – and amped up the sex and violence to often ridiculous levels.

Those film fans familiar with Italian genre cinema will know that Italian cinema has a reputation of hitching itself to the nearest bandwagon and bleeding it dry. If Italian filmmakers could find a fad that people liked they’d stick with it. From
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Decoy aka Policewoman Decoy

Unsung actress Beverly Garland becomes TV’s first lady cop, in what’s claimed to be the first TV show filmed on the streets of New York City. This one-season wonder from 1957 has vintage locations, fairly tough-minded storylines and solid performances, from Bev and a vast gallery of stage and TV actors on the way up.


(Policewoman Decoy)

TV Series


Film Chest Media

1957-’58 / B&W / 1:33 flat full frame (TV) / 39 x 30 min. / Street Date May 30, 2017 / 19.98

Starring: Beverly Garland

Art Direction (some episodes): Mel Bourne

Original Music: Wladimir Selinsky

Written by Lillian Andrews, Nicholas E. Baehr, Cy Chermak, Jerome Coopersmith, Don Ettlinger, Frances Frankel, Steven Gardner, Abram S. Ginnes, Mel Goldberg, Saul Levitt, Leon Tokatyan

Produced by Arthur H. Singer, David Alexander, Stuart Rosenberg, Everett Rosenthal

Directed by Teddy Sills, Stuart Rosenberg, David Alexander, Michael Gordon, Don Medford, Arthur H. Singer, Marc Daniels

How did I experience
See full article at Trailers from Hell »

Arrow Video’s August Us Blu-ray / DVD Releases Include The Slayer and Don’T Torture A Duckling

Arrow Video has a treat in store for both slasher and giallo fans this summer, as their August Us Blu-ray / DVD releases will include The Slayer and Don't Torture a Duckling.

From Arrow Video: "New UK/Us Title: The Slayer (Dual Format Blu-ray & DVD)

The Slayer finally rises from the ashes of obscurity in a brand new 4K transfer courtesy of Arrow Video.

Pre-order in the UK via Arrow:

Pre-order in the UK via Amazon:

Pre-order in the Us:

Release dates: 21/22 August

Is It A Nightmare? Or Is It… The Slayer?

One of the most sought-after titles for slasher fans everywhere, The Slayer finally rises from the ashes of obscurity in a brand new 4K transfer courtesy of Arrow Video.

Two young couples set off to a secluded island for what promises to be a restful retreat.
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Drive-In Dust Offs: Don’T Torture A Duckling (1972)

Lucio Fulci is known to most horror fans for his work in the fantastical, through his late career success with Zombie (1979), City of The Living Dead (1980), and The Beyond (1981). Certainly these are his most widely seen and cherished films, and for good reason – they blast through the screen in a feast of color, magic, and grue; short on logic, sure, but long on imagination and dread. But before he untethered his heart in a quest for purity, he engaged in his homeland’s horror sub-genre of giallo, including Don’t Torture a Duckling (1972), incredible, subversive proof that he could create something just as effective and decidedly much more earth bound.

Released late September back home in his native Italy, Duckling never received its due (or much attention at all, truthfully) on these shores until Fulci’s death in 1996 offered a re-evaluation of his body of work. Thanks to the internet,
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Newswire: R.I.P. Tomas Milian, Spaghetti Western star

Tomas Milian, the Cuban-born actor who made a name for himself in Italian genre movies in the 1960s and ‘70s, has died, Deadline reports. Outside of his starring roles in a number of spaghetti Westerns, Milian worked with big-name Italian directors like Michelangelo Antonioni, Pier Paolo Pasolini, and Bernardo Bertolucci. In his later years, he had notable roles with American directors Steven Soderbergh and Steven Spielberg as well. The Italian news agency Ansa broke the news of Milian’s death, reporting that he had died of a stroke at home in Miami. He was 84.

Milian was born Tomás Quintín Rodríguez Milián in 1933 in Havana, the son of a general who was imprisoned during the Cuban revolution. Soon after, he moved to New York City to study acting under Lee Strasberg; he found his niche in Italy, though, where he made his big-screen debut in the Pasolini-penned The Big ...
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Cuban-American Actor Tomas Milian Dies Aged 84

Cuban-American Actor Tomas Milian Dies Aged 84
Tomas Milian, the Cuban-American-Italian actor best known for his work in Italian genre films and Spaghetti Westerns, has died at the age of 84. Italian news agency Ansa reported that he died of a stroke in his Miami home on Wednesday. Milian, whose real name was Tomas Quintin Rodriguez Milian, worked with a host of top-notch directors such as Steven Soderbergh, Bernardo Bertolucci and Steven Spielberg, and was recognized for the emotional intensity and humor he brought…
See full article at Deadline Movie News »

Pretty Packaging: Germany Gives Companeros A Mighty Salute

I saw Sergio Corbucci's 1970 western Compañeros during the video-boom of the early eighties, when suddenly an immense wealth of titles became available for home viewing, and renting a stack of videotapes was a part of each weekend's routine. Not being into westerns, I initially skipped out, but the group of friends and family which had seen Compañeros wanted to see it again the next day, because it was such a fun film and "the music was so good". Huh? So I decided to join the second viewing, and ended up loving the film. Franco Nero and Tomas Milian made an excellent couple of anti-heroes, and indeed the soundtrack rocked. Fast forward to more than thirty years later, with me vividly remembering the film (and...

[Read the whole post on]
See full article at Screen Anarchy »

Face to Face (Faccia a faccia; Von Angesicht zu Angesicht)

Writer-director Sergio Sollima gives us one of the best 'political' Italo westerns from the pre- May '68 era... with two top stars in great form, Gian Maria Volontè and Tomas Milian. This two-disc German import has both the long and short versions of the movie in HD, with full language options for each. Face to Face (Faccia a faccia; Von Angesicht zu Angesicht) Region A+B Blu-ray Explosive Media (Alive) 1967 / Color / 2:35 widescreen / 93, 112 min. / Street Date April 29, 2016 / available at / E 21,93 Starring Gian Maria Volontè, Tomas Milian, William Berger, Jolanda Modio, Gianni Rizzo, Carole André Ángel del Pozo, Aldo Sambrell, Antonio Casas, Lidia Alfonsi, John Karlsen, Gastone Moschin, G&eacutge;rard Tichy. Cinematography Raphael Pacheco Film Editor Eugenio Alabiso Original Music Ennio Morricone Art Direction and sets Carlo Simi Written by Sergio Donati, Sergio Sollima Produced by Arturo González, Alberto Grimaldi <Directed by Sergio Sollima

Reviewed by Glenn Erickson

See full article at Trailers from Hell »

Face to Face |Blu-ray Review

Kino Lorber brings the 1967 spaghetti Western Face to Face to Blu-ray this month, one of director Sergio Sollima’s most notable titles, previously released on DVD as a box-set with the two other titles in Sollima’s trilogy The Big Gundown (1966) and Run, Man, Run (1968). Noted for imbuing his work with a bit of actual social and historical context, there’s a bit more substance than usual for a film relegated to the periphery of a movement dominated by a mere handful of notable names. Though it’s ultimately not at the same level as iconic works by Sergio Leone and hasn’t reached the same level of reappraisal as several other retroactively recuperated directors, it features more nuanced characterizations in its complex narrative structure than is usually evident in other titles of the era.

Boston professor Brad Fletcher (Gian Maria Volonte) is suffering from poor health, and is forced
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Oscar-Nominated Film Series: Stone (Thrillingly) Assassinates Truth While Investigating Kennedy Assassination

'JFK' movie with Kevin Costner as Jim Garrison 'JFK' assassination movie: Gripping political drama gives added meaning to 'Rewriting History' If it's an Oliver Stone film, it must be bombastic, sentimental, clunky, and controversial. With the exception of "clunky," JFK is all of the above. It is also riveting, earnest, dishonest, moving, irritating, paranoid, and, more frequently than one might expect, outright brilliant. In sum, Oliver Stone's 1991 political thriller about a determined district attorney's investigation of the assassination of U.S. president John F. Kennedy is a slick piece of propaganda that mostly works both dramatically and cinematically. If only some of the facts hadn't gotten trampled on the way to film illustriousness. With the exception of John Williams' overemphatic score – Oliver Stone films need anything but overemphasis – JFK's technical and artistic details are put in place to extraordinary effect. Joe Hutshing and Pietro Scalia's editing
See full article at Alt Film Guide »

Grindhouse Releasing’s Got Something For Us! Gone With The Pope Gets a Blu-Ray Release Date!

Those groovy exploitation dealers at Grindhouse Releasing are finally releasing Duke Mitchell’s Gone With The Pope. I have been waiting to see this film for some time and missed the only theatrical showing in St. Louis because it was shown at a different theater on the same nights I did a Late Nite Grindhouse show 5 years ago. This is awesome news for fans coupled with the release of Duke Mitchell’s later film, Massacre Mafia Style, hitting Blu-Ray later this month.

Trailer From Grindhouse Releasing’s website:

Lost for over 30 years, Gone With The Pope stars famed nightclub performer Duke Mitchell as Paul, a paroled gangster with an unholy scheme: to kidnap the Pope and charge “a dollar from every Catholic in the world” as the ransom.

Shot in 1975, Gone With The Pope was unfinished at the time of Duke Mitchell’s death in 1981. Sage Stallone and Bob Murawski
See full article at Destroy the Brain »

Review: Companeros (Blu-ray)

  • DailyDead
When Spaghetti Western aficionados recommend their favorite films, they will usually introduce people to The “Three Sergios,” that consists of Sergio Leone, Sergio Sollima and Sergio Corbucci. Even those unfamiliar the genre would surely be familiar with the masterworks of Leone, who created two of the greatest Western films of all time. Neither Sollima or Corbucci ever came close to the fame or acclaim of Leone, but stylistic and talented Sollima’s underrated The Big Gundown was politically ambitious and ahead of the curve, while Corbucci embraced a strong pulp sensibility in his ultra violent Django that featured the iconic coffin hauling gunslinger. Later, he showed his political ambitions in his Mexican Revolution trilogy that features Companeros between The Mercenary and What Am I Doing in the Middle of the Revolution?

Companeros came along during a transitional period of Italian genre cinema and Westerns specifically started shifting towards humor. Companeros
See full article at DailyDead »
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