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Charley Varrick (Region B)

It’s the loose-censored early 1970s, and screen bandits shootin’ up the American movie landscape are no longer suffering the once-mandated automatic moral retribution. Walter Matthau launched himself into the genre with this excellent Don Siegel on-the-run epic, about an old-fashioned independent bandit who accidentally rips off the mob for a million. It’s great, wicked fun.

Charley Varrick

Region B Blu-ray

Indicator

1973 / Color / 1:85 widescreen / 111 min. / Charley Varrick the Last of the Independents; Kill Charley Varrick / Street Date January 22, 2018 / available from Powerhouse Films UK / £14.99

Starring: Walter Matthau, Joe Don Baker, Andrew Robinson, John Vernon, Felicia Farr, Sheree North, Jacqueline Scott, William Schallert, Norman Fell, Benson Fong, Woodrow Parfrey, Rudy Diaz, Charles Matthau, Tom Tully, Albert Popwell

Cinematography: Michael Butler

Film Editor: Frank Morriss

Original Music: Lalo Schifrin

Written by Dean Riesner, Howard Rodman from the novel The Looters by John Reese

Produced by Jennings Lang, Don Siegel

Directed by
See full article at Trailers from Hell »

Long Before Obi-Wan There Were the Eight D'Ascoynes: Guinness Day

Alec Guinness: Before Obi-Wan Kenobi, there were the eight D’Ascoyne family members (photo: Alec Guiness, Dennis Price in ‘Kind Hearts and Coronets’) (See previous post: “Alec Guinness Movies: Pre-Star Wars Career.”) TCM won’t be showing The Bridge on the River Kwai on Alec Guinness day, though obviously not because the cable network programmers believe that one four-hour David Lean epic per day should be enough. After all, prior to Lawrence of Arabia TCM will be presenting the three-and-a-half-hour-long Doctor Zhivago (1965), a great-looking but never-ending romantic drama in which Guinness — quite poorly — plays a Kgb official. He’s slightly less miscast as a mere Englishman — one much too young for the then 32-year-old actor — in Lean’s Great Expectations (1946), a movie that fully belongs to boy-loving (in a chaste, fatherly manner) fugitive Finlay Currie. And finally, make sure to watch Robert Hamer’s dark comedy Kind Hearts and Coronets
See full article at Alt Film Guide »

DVD Review: "I Escaped From The Gestapo" (1943) Starring Dean Jagger And John Carradine

  • CinemaRetro
By Lee Pfeiffer

The Warner Archive continues its string of burn-to-order releases of "Poverty Row"  B movies that were originally produced by other studios. The latest release, I Escaped From the Gestapo, is a real hoot that was originally produced by Monogram Pictures, which afforded budgets to directors and producers that were only slightly more extravagant than those spent on home movies. The film is primarily remembered as a would-be vehicle for actress Frances Farmer, who was not able to continue filming due to her legendary mental breakdown that resulted in her being institutionalized. Beyond that tragic association, however, the movie is a relentlessly upbeat, over-the-top propaganda film that afforded a rare leading role to Dean Jagger. The opening plot device is actually rather clever. It finds Jagger as Torgen Lane, a master forger and counterfeiter who is doing time in a federal prison. He finds himself the center of
See full article at CinemaRetro »

R.I.P. Elizabeth Taylor (1932-2011)

Hollywood icon Elizabeth Taylor has passed away aged 79 at Cedars Sinai Medical Center in Los Angeles, California, where she had recently been admitted with congestive heart failure. Born to American parents in Hampstead, London in 1932, Taylor began taking ballet lessons at the age of three and in 1941 she was signed to a contract by Universal Pictures, making her screen debut that same year in the comedy There's One Born Every Minute (dir. Harold Young). The following year she moved to MGM and starred alongside Roddy McDowall in Lassie Come Home (dir. Fred M. Wilcox) and made further appearances in Jane Eyre (1944, dir. Robert Stevenson) and The White Cliffs of Dover (1944, dir. Clarence Brown) before shooting to stardom as the lead character in National Velvet (1944, dir. Clarence Brown).

In 1948 Taylor earned critical acclaim for her first adult role in the 1949 British thriller Conspirator (dir. Victor Saville) and went on to appear
See full article at Flickeringmyth »

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