Maury Yeston Poster


Jump to: Mini Bio (1)  | Trivia (3)  | Personal Quotes (1)

Mini Bio (1)

Maury Yeston is a composer, lyricist, author and teacher, and moves easily between the worlds of theater, film, and academia, writing concert music, Broadway shows, and holding teaching posts as a respected musicologist.

In addition to winning his second Tony Award for Best Score for Broadway's "Titanic" (which won five Tonys including Best Musical), Yeston won a Tony Award and two Drama Desk Awards for his music and lyrics to Broadway's "Nine" (based on Fellini's "8 ½"). That production won four additional Tonys, including Best Musical. The Broadway revival of Nine, starring Antonio Banderas, won the Tony Award for Best Musical Revival. Yeston's contribution to the score for Broadway's "Grand Hotel" was nominated for a Tony and two Drama Desk Awards, and the Donmar Warehouse London production of this show won the Olivier Award. His score for "Phantom" has received national and international acclaim and is currently in production across America and Europe and Japan.

The film adaptation of "Nine", directed by Rob Marshall features Daniel Day-Lewis, Penelope Cruz, Marion Cotillard, Nicole Kidman, Dame Judi Dench, Kate Hudson, Fergie, and Sophia Loren, with a screenplay by Anthony Minghella and Michael Tolkin, and was nominated for 5 Golden Globes and 4 Academy Awards. Yeston was nominated for a Critics Choice and Golden Globe for Best Original Song ("Cinema Italiano") and an Academy Award for Best Original Song ("Take It All").

Yeston's music and lyrics cover a wide variety of styles, from his Cello Concerto (premiered by Yo Yo Ma) to the concert album "Goya-A Life In Song," (featuring Placido Domingo and Gloria Estefan). The song "Till I Loved You," from the "Goya" album became a Top 40 hit for Barbra Streisand. Yeston was commissioned by Carnegie Hall to write the modern classical crossover "December Songs", a song cycle, for its centennial celebration. Commissioned by the Kennedy Center for the Performing Arts, he composed "An American Cantata - 2000 Voices" - a choral symphony in three movements for the National Symphony Orchestra and 2000 singers, conducted by Leonard Slatkin and premiered on the steps of the Lincoln Memorial in July of 2000.

Twice nominated for a Grammy Award, Yeston's recordings include cast albums of Nine, Titanic, Phantom, Grand Hotel, Death Takes A Holiday, The Maury Yeston Songbook, December Songs, Goya, the Film Soundtrack of Nine, "If I Tell You" -- Laura Osnes, Songs of Maury Yeston", and "Tom Sawyer -- A Ballet in Three Acts". Yeston also wrote the incidental music to the Broadway 2009 hit revival of "The Royal Family", directed by Doug Hughes, and to the legendary Off Broadway premiere of "Cloud 9", directed by Tommy Tune.

New Works Mounted for the New York stage, produced by the Roundabout Theatre, was Yeston-penned musical "Death Takes A Holiday", with a Book by Peter Stone and Thomas Meehan. The show was cited by Time Magazine as #4 in their Top Ten list of plays and musicals of 2011 and was nominated for 11 Drama Desk Awards for the 2011-12 season (covering Broadway and Off-Broadway), including Best Musical, Best Music and Best Lyrics. October 2011 saw the premiere of Yeston's new full-length Ballet - "Tom Sawyer" -- A Ballet in Three Acts", a symphonic work commissioned for the Kansas City Ballet to inaugurate Kansas City's new Kauffman Center for the Performing Arts. Alastair Macaulay's NY Times rave review declared "this is the first all-new, entirely American three-act ballet: it is based on an American literary classic, has an original score by an American composer and was given its premiere by an American choreographer and company." A 2-CD recording of the entire three-act 1 hour 35 minute work, performed by The San Francisco Ballet Orchestra, was released by PS Classics in August 2013. Also in July 2013 the European premiere of the small Ensemble "Titanic" opened to rave reviews at the Southwark Playhouse in London, winning Broadwayworld UK's Award for Best Regional Production of a Musical in the UK, Whatsonstage Best Regional Production of a Musical, and swept the Offie Awards in four categories including Best Musical Production.

Yeston holds a PhD. from Yale University and BA and MA degrees from both Yale and Clare College, Cambridge University. He is the author of "The Stratification of Musical Rhythm" (Yale Press) - a seminal music theory text noted for its groundbreaking innovation in the theory of rhythm. He was Associate Professor and Director of Undergraduate Music Studies at Yale for eight years and has been Director of the BMI Music Theatre Advanced Workshop in New York City for over twenty years.

He is a lifetime member of the Council of the Dramatists Guild, and on the Board of the Songwriters Hall of Fame, The Kleban Foundation and The Kurt Weill Foundation. He also serves on the editorial boards of Musical Quarterly and the advisory board of the Yale University Press Broadway Series. Yeston was a Kayden Visiting Artist at Harvard University in 1998, received The Elaine Kaufman Cultural Center Creative Arts Award in New York as Artist of The Year, and was The Encompass Opera's Lifetime Achievement Honoree in 2009. In 2012 he received the distinction of being named an Honorary Ambassador of The Society of Composers & Lyricists.

- IMDb Mini Biography By: Sarah Douglas

Trivia (3)

Has twice won Broadway's Tony Award: in 1982, as Best Score, both music and lyrics, for "Nine;" and in 1997, as Best Original Musical Score, both music and lyrics, for "Titanic." He was also nominated in 1990, as Best Score (Musical), in collaboration with Bob Wright and Chet Forrest, both music and lyrics, for "Grand Hotel, the Musical."
Received his B.A. and Ph.D. from Yale University in 1967 and 1974, respectively.
His musical, "Titanic" at the Griffin Theatre Company in Chicago, Illinois was nominated for a 2015 Joseph Jefferson Non-Equity Award for Musical Production.

Personal Quotes (1)

In live theater, the author is a theory put into practice by the actors. The theater is a lie in which you harpoon the imagination of the audience in creating the fantasy that's on stage.

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