News

LatinoBuzz: 55th International Film Festival of Cartagena de Indias (Ficci) Announces Winners

The International Film Festival of  Cartagena de Indias, Colombia's most important film event, announced the winners for its 55th edition. The top prize in the narrative competition went to Guatemala's "Ixcanul" by Jairo Bustamante, which after its triumph in Berlin has become a festival hit. However, the Brazilian feature "White Out, Black In"(Branco Sai, Preto Fica)  took home both the Special Jury Prize and the Fipresci Award, becoming the big winner at the festival. Notable Colombian winners include documentaries "Letter to a Shadow" and "Tea Time" (also honored in Miami) and narrative feature "The Silence of the River." Here is the full list of winners. 

Official Fiction Competition

Jury Members

Michael Fitzgerald- Malgorzata Szumowska - Cao Guimaraes

Best Film: "Ixcanul" by Jayro Bustamante (Guatemala) - Wins Cine Colombia Award that includes  $15.000 - Isa: Film Factory Entertainment

Special Jury Prize: "Branco Sai, Preto Fica" (White Out, Black In) by Adirley Queirós (Brazil) - PC: Cinco Da Norte Serviços AudiovisuaisBest Director: Hector Galvez for "Nn" (Peru, Colombia, Germany, France) - Isa: Habanero

The International Federation of Film Critics Award - Fipresci

Jury Members

Ivonete Pinto - Michael Pattison - Roger Alan Koza

Best Film: "Branco Sai, Preto Fica" (White Out, Black In) by Adirley Queirós (Brazil)Colombian Cinema Official Competition

Jury Members

Mirsad Purivatra - Gerwin Tamsma - Juan Carlos Arciniegas 

Best Film: "El Silencio del Rio" (The Silence of the River) by Carlos Tribiño (Colombia, Uruguay, France) - Wins Cinecolor Award that includes Usd $11.000 in deliveries and the Lci Seguros Award, which consists of a  50% discount on the insurance purchase for production up to Us$50,000. -Isa: Habanero Films

Special Jury Prize: "Carta a Una Sombra" (Letter to a Shadow) by Daniela Abad and Miguel Salazar(Colombia) - PC: Producciones la Esperanza

Best Director: Roberto Flores Prieto for "Ruido Rosa" (Pink Noise) - Wins Hangar Films Award that includes Usd $30.000 in film equipment for the production of his next film. - PC: Kymera Producciones

Additional Awards

Club Colombia Audience Award: "Carta a Una Sombra" (Letter to a Shadow) by Daniela Abad and Miguel Salazar (Colombia) - Wins Usd $15.000

Official Documentary Competition

Jury Members

Sergio Wolf - Ally Derks - Meredith Brody

Best Film: "La Once" (Tea Time) by Maite Alberdi (Chile, U.S.) - Wins Cinecolor Award that includes Usd $13.000 in digital post-production services - Isa: Cat & Docs

Special Jury Prize: "Tu y Yo" (You and Me) by Natalia Cabral and Oriol Estrada (Dominican Republic) - PC: Faula Films

Gems

Jury Members

Jorge Sanchez Sosa - Nicolas Morales Thomas - Ciro Guerra

Best Film: "Hermosa Juventud" (Beautiful Youth) by Jaime Rosales (Spain, France) - Wins Rcn Award for promotional purposes during its release in Colombia,  valued at Usd $50.000. - Isa: Ndm

Special Jury Prize: "El Hombre de las Multitudes" (The Man of the Crowd) by Marcelo Gomes and Cao Guimaraes (Brazil) Isa: FIGa Films

Special Mention: "Timbuktu" by Abderrahmane Sissako (Mauritania, France) - Isa: Le Pacte/U.S. Dist: Cohen Media Group

Official Shorts Competition

Jury Members

Joel del Rio - Roberto Fiesco - Andres Parra

Best Short Film: "Se Venden Conejos" (Rabbits for Sale) by Esteban Giraldo (Colombia) - Wins a professional Sony camera and  Usd $3.000 from Cinecolor in digital post-production services for the director's next project.

Special Mention: "Completo" by Iván Gaona (Colombia)

New Creators

Jury Members

Maite Alberdi - Franco Lolli - Jorge Forero

Best Short Film: "En Busca del Aire" (Searching for Air) by Mauricio Rojas Maldonado (Antioquia University) - Wins a professional  Sony camera; and GoPro HERO4 camera from Revista Shock.Special Mention: "La Ruta de Julita" (Julita's Route) by Omar Eduardo Ospina (Magdalena University) - Wins a scholarship to study film production at the Bucaramanga University.

Special Mention: "Estepario" by Ángela Duque (Sabana University) - Wins a scholarship to study sound recording and design at Bucaramanga University.
See full article at SydneysBuzz »

LatinoBuzz: Cartagena Film Festival also known as Ficci 54

The 54th International Film Festival of Cartagena de Indias in Colombia has invited me to attend March 13 - 19, 2014.

One of Ficci's main goals is supporting the development of Colombian cinema. With that in mind, the festival will open with the world premiere of Ciudad Delirio, inviting the audience to get to know Cali, the only city in Latin America that loves all Latin American music, a center of creative development for Colombia's cinema, splendidly and authentically presented through the passion and flavor of salsa. Ficci is once again betting on the kind of cinema that speaks locally and globally, cinema that invites, seduces and embraces all kinds of audiences.

Starring Carolina Ramírez , Cauca Valley dancer and actress renown for her performance in soap operas such as La hija del mariachiand La Pola and Spaniard Julián Villagrán, winner of a Goya for his performance in Grupo 7, Ciudad Delirio also features Colombian actors of such caliber as Vicky Hernández Jorge Herrera , Margarita Ortega and John Alex Castillo. Thanks to a world-class team lead by Spanish dancer, choreographer and filmmaker Blanca Li, who has worked for The Berlin State Ballet, Kylie Minogue, Beyoncé and Daft Punk, and by multiple time Salsa World Champion Viviana Vargas, Cartagena will get to experience the madness of one of the most sensual dances on earth.

Ciudad Delirio was produced by Diego F. Ramírez, head of 64-a Films in Colombia, which has produced such films as Perro come perro,Todos tus muertos, Dr. Alemán, En coma, and180 segundos and Spaniard Elena Manrique, founder of Film Fatal and renown for her production of movies such asEl laberinto del fauno (Pan's Labyrinth), El orfanato and Transsiberiano, to name just a few.

For seven weeks during the making of Ciudad delirio, 45 locations in Cali, Colombia and Madrid, Spain were overrun by salsa. More than 3,200 extras from Cauca Valley helped to tell this love story that revolves around the show Delirio, a long-standing cultural tradition in Sultana del Valle.

In Ciudad Delirio, Javier, a shy, reserved Spanish doctor, attends a medical conference in Cali, Colombia. There, through a chance meeting, he shares a magical night with Angie, a dancer and choreographer who dreams of being part of the world's most famous salsa show, Delirio, if only she can pass the audition. Javier and Angie begin an impossible romance full of obstacles, surrounded by salsa, and accompanied by a cast of characters that are as authentic as they are hilarious.

The festival's guest of honor will be the prolific British actor Clive Owen, who is known for his diverse roles in films like Closer Children of Men, and The International . The Latin American premier of his latest film, Guillaume Canet's Blood Ties (2013), will be a highlight of the Friday, March 14th event, taking place at 6:00 pm in the Adolfo Mejía Theater, where, after being presented with the India Catalina prize, the actor will be interviewed by Ficci's director, Monika Wagenberg.

Another special honoree will be Mexican director Alejando Gonazlez Iñárritu, who has garnered international acclaim throughout the years with films such as Amores Perros , 21 Grams , Babel, and Biutiful . Established within the film industry as one of Latin America's most important directors of the new century, Iñárritu is currently in-production for Birdman (2014), a film he wrote and directed starring Emma Stone and Edward Norton . Participants of the 54th Ficci will have the opportunity to attend the Tribute honoring this Academy Award-nominated filmmaker on Sunday, March 16th, as well as his Master class the following day during Salón Ficci – the festival's academic program.

In regards to the festival's line-up, it is interesting to note that several of the filmmakers that will take part in the Dramatic Competition are directors who have participated at Ficci with their previous films and have established themselves in the international festival circuit winning prestigious awards. Others will arrive to Cartagena for the first time with their operas primas.

"2014 promises to be a good year for Iberoamerican cinema and we are proud to feature several of the most recent films of the region in our Official Dramatic Competition, in which half of the chosen movies are Latin American Premieres (movies that come directly to Cartagena after their world premieres at Sundance and Berlin Festivals). Eight of the twelve films in the Colombian Official Competition (known before as Colombia al 100%) are World Premieres. This way, we have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films", stated Ficci's Director Monika Wagenberg.

Wagenberg also addressed some chances in the festival's rules that will allow for more experience filmmakers to partake in the event.

"One of the big news of Ficci 54 is that this time we have not limited the Official Dramatic Competition to first, second and third time Ibero-American films. Ending this restriction will make possible for those directors from this region who are producing feature films at a fast pace not, to be excluded from the competition" Wagenberg added.

The Official Dramatic Competition will feature the Latin American premieres The Lock Charmer (El Cerrajero) by Natalia Smirnoff (Argentina), Natural Sciences (Ciencias Naturales) by Matías Lucchesi(Argentina), The Way He Looks (Hoje Eu Quero Voltar Sozinho) by Daniel Ribeiro(Brazil), Celina Murga's Berlin Official Competition, The Three Sides of the River (La tercera orilla) (Argentina), recent Sundance and Rotterdam winner, To Kill a Man (Matar a un hombre) by Alejandro Fernández Almendras (Chile), Mateo, first film by Maria Gamboa (Colombia), and the world premiere of Dust on the Tongue (Tierra en la lengua) by Ruben Mendoza (Colombia).

This section also includes other outstanding films such as Bad Hair (Pelo malo), written and directed by Mariana Rondón (Venezuela) which comes to Ficci after its triumph at the San Sebastián Film Festival; The Mute (El Mudo), directed by brothers Daniel and Diego Vega (Perú), which had its world premiere at the Locarno Film Festival and are coming back to Ficci after competing winning Best Director award in 2010; premiering at the Toronto International Film Festival and awarded the Concha de Plata for Best Director in San Sebastián, comes Club Sándwich by Fernando Eimbcke(México), and the 12th film in this section is Root (Raíz) by Matías Rojas Valencia (Chile), the winner of Best Chilean Film winner at the Valdivia Film Festival.

The Official Documentary Competition will showcase the world premieres of El color que cayó del cielo by Sergio Wolf (Argentina) and Heaven or Hell (Infierno o paraíso) de German Piffano(Colombia); as well as the Latin American premiere of The Silence of the Flies (El silencio de las moscas) by Eliezer Arias (Venezuela), Marmato by Mark Grieco (Colombia, USA), and Apples, Chickens and Chimeras (Manzanas, pollos y quimeras) de Inés París (España). The rest of the program includes Argentine Street Years (Años de calle) by Alejandra Grinschpun, I Feel Much Better Now (E-agora? Lembra me) by Joaquim Pinto(Portugal), Naomi Campbel by icolas Videla and Camila José Donoso (Chile), Cesar's Grill (El Grill de Cesar) by Dario Aguirre, I Will Be Murdered (Seré asesinado) by Justin Webster (Spain), Mexican documentary, Elevator (Elevador) by Adrián Ortizl and the most recent work by talented Brazilian documentary film director Maria Ramos , Hills of Pleasures (Morro dos Prazeres).

Lastly, in the Colombian Official Competition we will present the world premieres of Banished (Desterrada) by Diego Guerra, Manos sucias by Joseph Wladyka, Memorias del calavero and Tierra en la lengua by Rubén Mendoza, Monte adentro by Nicolás Macario Alonso, Parador Húngaro by Aseneth Suarez and Patrick Alexander, Infierno o paraíso by Germán Piffano; as well as the Latin American premieres of Inés, memorias de una vida by Luisa Sossa; Gente de papel, con el alma en la selva by Andrés Felipe Vásquez, Mateo by Maria Gamboa, Marmato by Mark Grieco and the Colombian premiere of Mambo Cool by Chris Gude.
See full article at SydneysBuzz »

Cartagena unveils competition lineup

  • ScreenDaily
Cartagena unveils competition lineup
54th edition of Ficci to feature eight world premieres in Colombian official competition.

The 54th International Film Festival of Cartagena de Indias (Ficci) in Colombia has unveiled its competition lineup.

Eight of the twelve films in the Colombian Official Competition are world premieres, while half of the films selected for the festival’s Official Dramatic Competition are Latin American Premieres.

Speaking at the launch in Bogota, Ficci’s director Monika Wagenberg commented: “We have managed to achieve the goal we set four years ago: becoming the main national and international launching platform of local films.”

This year’s Official Dramatic Competition features the Latin American premieres of the likes of Celina Murga’s Berlinale entry La Tercera Orilla and Alejandro Fernández’s Sundance winner Matar A Un Hombre [pictured], as well as the world premiere of Rubén Mendoza’s Tierra En La Lengua.

World premieres of Sergio Wolf’s El Color Que Cayó Del Cielo and Germán Piffano
See full article at ScreenDaily »

LatinoBuzz: The Winners of the 3rd Annual Cinema Tropical Awards Are...

The winners of the 3rd Annual Cinema Tropical Awards were announced at a special event at the New York Times headquarters in New York City,celebrating the best of the Latin American film production of the year in five different categories:

- Best Feature Film

- Best Documentary Film

- Best Director, Feature Film

- Best Director, Documentary Film

- Best First Film

The Cinema Tropical Awards are presented in partnership with Voces, Latino Heritage Network of The New York Times and 92YTribeca, with the support of the Mexican Cultural Institute. Special thanks to Lucila Moctezuma and Mario Díaz.

Best Feature Film

- O Som Ao Redor / Neighboring Sounds (Kleber Mendonça Filho, Brazil, 2012)

Best Director, Feature Film

- MatÍAs Meyer, Los ÚLtimos Cristeros / The Last Christeros (Mexico, 2011)

Best Documentary Film

- El Salvavidas / The Lifeguard (Maite Alberdi, Chile, 2011)

Best Director, Documentary Film

- JosÉ ÁLvarez, CanÍCula (Mexico, 2011)

Best First Film

- El Estudiante / The Student (Santiago Mitre, Argentina, 2011)

The films were selected from a list of Latin American feature films with a minimum of 60 minutes in length that were premiered between April 1, 2011 and March 31, 2012. The winners and final nominees were selected by a six-member jury panel from a list of fiction and documentary films compiled from the selections of a nominating committee composed of 14 film professionals from Latin America, the U.S. and Europe (see list below).

Fiction Jury

Dennis Lim writes about film and popular culture for various publications including The New York Times and the Los Angeles Times. He is the founding editor of Moving Image Source, the online publication and research resource of the Museum of the Moving Image and was formerly the film editor of The Village Voice. His work has also appeared in The Believer, The Oxford American, Blender, Spin, Espous, Indiewire, New York Daily News, The Independent on Sunday, The Guardian, and the film quarterly Cinema Scope, where he is a contributing editor. A member of the National Society of Film Critics and the editor of The Village Voice Film Guide (2006), he has served as a member of the New York Film Festival selection committee and he teaches in the Cultural Reporting and Criticism graduate program a New York University.

Matías Piñeiro is a filmmaker and professor at the Universidad del Cine in Buenos Aires. His first feature-length work, El hombre robado / The Stolen Man (2007), won awards at the Jeonju International Film Festival and at Las Palmas de Gran Canaria International Film Festival. In 2009, his second feature, Todos mienten / They All Lie, premiered at Bafici (Buenos Aires Festival International de Cine Independiente), where it won two awards. It also won a prize at the Santiago Festival Internacional de Cine. In 2010, he was selected—along with James Benning and Denis Côté—to screen his third film, Rosalinda at the 11th Jeonju Digital Project. Piñeiro recently premiered his most recent film, Viola, at the Toronto Film Festival, and it's slated for a Us release in 2013. He earned a filmmaking degree from Universidad del Cine. His award-winning films have been screened around the world, including at Anthology Film Archives, Festival des 3 Continents, the Festival del film Locarno, the London Film Festival, Museo de Arte Latinoamericano de Buenos Aires, the Museum of Modern Art, Rencontré Cinémas d’Amerique Latine de Toulouse, and the Viennale.

Frida Torresblanco served as a producer in Spain working on film including The Dancer Upstairs, directed by John Malkovich and starring Javier Bardem, as well as Susan Seidelman’s Gaudi Afternoon. She moved to New York City in 2002 to launch and lead Alfonso Cuaron’s film production company, Esperanto, where she served as Executive Producer and Creative On-Set Producer for The Assassination of Richard Nixon (directed by Niels Mueller, starring Sean Penn), among others. In 2006, Frida joined Alfonso Cuarón and Guillermo del Toro to produce El laberinto del Fauno / Pan’s Labyrinth (Three Oscars & another three Oscar nominations; three wins & five BAFTA nominations; a nomination for the Palm d’Or and a Golden Globe). The Hollywood Reporter named Frida one of the 50 most powerful Latinos in Hollywood. She also produced Rudo y Cursi (directed by Carlos Cuarón, starring Gael García Bernal and Diego Luna). In 2010, Frida launched her new film production company, Braven Films, with partners Eric Laufer and Giovanna Randall. Her next project, Magic Magic, produced through Braven Films, will star Michael Cera, Juno Temple and Emily Browning.

DocuMentary Jury

Ryan Harrington is the Director of Documentary Programs at the Tribeca Film Institute where he oversees the Gucci Tribeca Documentary Fund, the Tfi Documentary Fund, Tribeca All Access documentary program and the Latin America Media Arts Fund while developing other initiatives and programs that support non-fiction filmmaking. Recent Tfi successes include Give Up Tomorrow, If a Tree Falls, The Redemption of General Butt Naked, The Oath, Enemies of the People, Marathon Boy and Donor Unknown. Independently he is currently working on the feature doc Hungry in America, with filmmakers Kristi Jacobson & Lori Silverbush and Participant Media, that explores why so many people in the USA go without food, and what can be done about it. Harrington managed production for A&E IndieFilms, the theatrical documentary arm of the A&E Network, for four years. Throughout his time there he championed the Oscar-nominated films Murderball and Jesus Camp, and the Sundance hits My Kid Could Paint That and American Teen.

Paula Heredia is a director and editor based in New York. She was awarded an Emmy for the HBO documentary In Memoriam, NYC 9/11/01, and an Ace Eddie Award for the acclaimed documentary Unzipped. Her directorial work includes the documentaries George Plimpton and the Paris Review, Ralph Gibson, and The Couple in the Cage. Her dramatic work includes Having a Baby, Tras La Ventana, Slings and Arrows, and La Cena de Matrimonio. Her short film La Pájara Pinta premiered at the Lincoln Center Film Society LatinBeat Film Festival. Heredia’s editorial work can be seen in the HBO feature-length documentary Addiction, which received the 2007 Emmy Governors Award, and Alive Day Memories—Home from Iraq, executive produced by James Gandolfini for HBO. Her new edit, The Art of Failure: Chuck Connelly Not for Sale and Jacques D'Ambois in China, will air on HBO this summer. Other editorial credits include: Modulations Cinema for the Ear, The Vagina Monologues, Finding Christa and Free Tibet. Paula’s work and creative process is featured in the book: The Art of the Documentary by Megan Cunningham. With partner Larry Garvin, she co-founded Heredia Pictures, heads the international committee of New York Women in Film and Television and serves on the board of advisors of Tribeca All Access and Clementina, Inc.

Chi-hui Yang is a film programmer, lecturer and writer based in New York. As a guest curator, Yang has presented film and video series at film festivals and events internationally, including MoMA's Documentary Fortnight, Robert Flaherty Film Seminar (“The Age of Migration”), Seattle International Film Festival, Washington D.C. International Film Festival and Barcelona Asian Film Festival. From 2000-2010 he was the Director and Programmer of the San Francisco International Asian American Film Festival, the largest showcase of its kind in the Us. Yang is also the programmer of “Cinema Asian America,” a new On-Demand service offered by Comcast and currently a Visiting Scholar at New York University’s Asian/Pacific/American Institute.

Nominating Committee

- Isabel Arrate Fernandez, Idfa, The Netherlands

- Hugo Chaparro, film critic, Colombia

- Lucile De Calan, programmer, Biarritz Latin American Film Festival, France

- Denis de la Roca, programmer, Abu Dhabi Film Festival

- Mara Fortes, programmer, Morelia Film Festival

- Erick Gonzalez, programmer, Valdivia Film Festival, Chile

- Elías Jiménez, director, Festival Ícaro, Guatemala

- Roger Alan Koza, film critic and programmer, Filmfest Hamburg, Ficunam, Mexico

- Janneke Langelaan, Hubert Bals Fund, The Netherlands

- Diego Lerer, film critic, Argentina

- Rosa Martinez Rivero, film producer, Argentina

- Christian Sida-Valenzuela, director, Vancouver Latin American Film Festival

- Hebe Tabachnik, programmer, Los Angeles and Palm Springs Film Festivals

- Sergio Wolf, film programmer, Argentina
See full article at SydneysBuzz »

Cannes 2011. Critics' Week

Updated through 5/21 — with awards announcements.

As noted last week, with support from the 4+1 Film Festival, we're celebrating the 50th anniversary of Critics' Week with a free retrospective of some of the greatest films screened over the past 50 editions. What follows is a roundup of what the critics are saying about the films screening this year.

"Jonathan Caouette's film Tarnation — created for $300 (£185) on his iMac out of old Super 8 videos and family photos — created a stir at Cannes in 2004 for its original visual language," begins Charlotte Higgins in the Guardian. "In his latest he returns to Tarnation's material: his rich but intensely difficult family life. At the heart of Walk Away Renée is a road trip he takes with his mother, Renée, from Houston to New York State, as he helps her transfer from one assisted-living facility to another. Renée, who received electric shock therapy from the age
See full article at MUBI »

Jeff Nichols’s Take Shelter wins Critic’s Week prize at Cannes : Film Festivals & Markets

Jeff Nichols' psychological drama Take Shelter has been declared the winner of the 50thedition of the Cannes Critics' Week, being awarded the Nespresso Grand Prize. The prize was announced by the Jury headed by Lee Chang-dong and film critics Scott Foundas (Film Comment Magazine, USA), Nick James (Sight and Sound, United Kingdom), Cristina Piccino (Il Manifesto, Italia) and Sergio Wolf (El Amante, Argentine). Here is the complete list of winners. Read More...
See full article at Bollywood Trade »

See also

Credited With |  External Sites


Recently Viewed