Gabriela Muskala - News Poster


Out of the Rabbit Hole: Close-Up on "Fugue"

  • MUBI
Close-Up is a feature that spotlights films now playing on Mubi. Agnieszka Smoczyńska's Fugue (2018), which is receiving an exclusive global online premiere on Mubi, is showing from April 12 – May 11, 2019 in Mubi's The New Auteurs strand.Most people would empathize with a woman who lost her memory, but what if she preferred not to regain it? Agnieszka Smoczyńska’s second feature, Fugue,is a pronounced psychological exploration of trauma and personal choice of what not to be. Intertwined with dreams and fantasy sequences, the film reinvents the notion of (female) agency with the freedom of merging worlds, similar to the etherealness of Fugue’s genre-bending predecessor, The Lure (2016). In her astonishing debut, Smoczyńska weaved a universe of myth and social reality by presenting man-eating mermaids and their institutional bind to a performance cabaret. This time around, her sophomore feature is more self-contained and introspective, while eluding simple psychological diagnosis. The story
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‘Fugue’ Director Agnieszka Smoczyńska on Visualizing Memory Loss

  • Variety
‘Fugue’ Director Agnieszka Smoczyńska on Visualizing Memory Loss
In the moody psychodrama “Fugue,” competing in the Polish films section at EnergaCamerimage, Agnieszka Smoczyńska explores memory loss and its devastating impact on family in her follow-up to “The Lure.” Utterly unlike her debut, which was a colorful, musical fantasy focused on mermaids, “Fugue” is a study in perception and emotion in which the lead and co-writer, Gabriela Muskala, is suddenly discovered wandering and returned to her family two years after disappearing.

What did you learn from your research into the woman who had gone through this actual breakdown?

It was a very strong experience. I was particularly struck by the fact that Maria never really came back from that “other world.” She was talking to us normally, she seemed to remember everything, and yet she seemed somehow suspended between two worlds: the real here and now and the one that wasn’t “real,” the one of her memories.

See full article at Variety »

Fantastic Fest Adds Horror ‘The Perfection’ And ‘Fugue’ To Lineup

  • Deadline
Fantastic Fest Adds Horror ‘The Perfection’ And ‘Fugue’ To Lineup
Fantastic Fest has made two last-minute additions to its robust lineup of genre films. Richard Shepard’s horror-thriller The Perfection starring Girls alum Allison Williams and Dear White People star Logan Browning will make its World Premiere at the fest, and Fugue directed by Agnieszka Smoczynska is set to make its North American Premiere. Fantastic Fest kicks off Sept. 20 and continues through Sept. 27.

Deadline exclusively reported the casting of Williams and Browning in The Perfection last year. The film follows former cello prodigy (Williams) as she seeks out both her mentor (Steven Weber) and his new star pupil (Browning) with enigmatic — and twisted — intent. Shepard, Williams and Browning are set to attend the fest.

Smoczynska’s Fugue stars Polish actress Gabriela Muskala and follows a woman who is trying to reconnect with her family after being lost in a fugue state for several years. The film marks the follow-up to
See full article at Deadline »

‘Fugue’ Review: A Disappointingly Straightforward Amnesia Drama from the Director of ‘The Lure’ — Cannes 2018

‘Fugue’ Review: A Disappointingly Straightforward Amnesia Drama from the Director of ‘The Lure’ — Cannes 2018
Arriving in the wake of her beloved goth mermaid extravaganza, “The Lure,” Agnieszka Smoczynska’s disappointingly unadventurous second feature begins much the same way as her first. A mysterious woman surfaces from the underground darkness of modern Poland, grabbing our attention as she stumbles into society. But where the twin sirens in Smoczynska’s debut emerged from a fairy tale, the lost and confused heroine of “Fugue” materializes from the shadows of an unaccountable two-year absence. Her name — she thinks — is Alicja (screenwriter Gabriela Muskala), and the camera follows her as she walks out of a Warsaw subway tunnel in an atomic blonde trench coat, climbs onto the busy platform, and casually pees all over the floor.

Memory loss is one of the oldest plot devices in the world, which makes it ripe for some kind of reinvention. The opening minutes of “Fugue” not only suggest that we’re in
See full article at Indiewire »

The Lure Director Returns with Fugue [Trailer]

Polish director Agnieszka Smoczynska left a lasting impression with her debut feature, the dark fairy tale about singing mermaids The Lure (review). Now the director is back with her second feature and it looks just as dark and alluring as her debut without the fantastic elements.

Fugue is written and stars Gabriela Muskala as Alicja, a woman who suffers from memory loss who has run off and created a new life for herself as a free spirit.

After two years in the wild she returns home and tries to re-assimilate herself into her old life as wife and mother but it's not an easy process for either her or her family.

I enjoyed The Lure but found it a bit messy
See full article at QuietEarth »

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