What’s essentially a reverse Self/Less scenario follows one of 2016’s most dimwitted plotlines, which isn’t helped by a strive to attain some semblance of straight-laced integrity. Vromen has handled loaded casts before, chilling audiences with The Iceman, but Criminal’s inexcusable waste of such a stacked, Mt. Olympus-sized cast suggests quite the opposite. You want to know what the real crime here is? Pretty much everything.
The film opens with Reynold’s CIA Agent character, Bill Pope, refusing to give up the location of a man codenamed ” The