Sounds are often just as vital as visuals in establishing cinematic worlds that we can escape into as moviegoers. This is especially the case in the recent films Life
and Ghost in the Shell
, and with both movies now out in theaters, we caught up with supervising sound editor Per Hallberg
(of Formosa Group
) for our latest Q&A feature to discuss his crucial audio work on both films, as well as highlights from his amazing career in cinema.
Thanks for taking the time to answer some questions for us, Per. How did you initially get involved with Daniel Espinosa
: I met Daniel quite a few years ago in Sweden, and when he came to La to do his first film here, Safe House
, he called me to get involved in that project with him. Since then, I’ve worked with him on Child 44