Transilvania Goes Back to the Ussr for Stories That Transcend Politics

  • Variety
Although the majority of the audiences at the Transilvania Film Festival can scarcely remember communism, the appeal of films from the Soviet era is remarkable, say organizers of the Back in the Ussr.

Screening five Russian films from the 80s, including the 1980 foreign lingo Oscar winner “Moscow Does Not Believe in Tears,” the fest has drawn crowds of young and older audiences to cinemas in Cluj all week. Evgeny Gusyatinskiy, who selected the films along with Transilvania artistic director Mihai Chirilov, makes the case that much of the cinema from the Soviet Union at the time has lasting social and artistic merit.

Referring to the last generation of Russian filmmakers before the Iron Curtain came down, Gusyatinskiy says these creatives “managed to create what might be called a Soviet Hollywood.”

Exploring many of the same themes as 1980s directors such as John Hughes were taking on in the U.S.
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