‘The Chaperone’ Film Review: Jazz Era Coming-of-Age Story Could Use More Flap

‘The Chaperone’ Film Review: Jazz Era Coming-of-Age Story Could Use More Flap
Written by “Downton Abbey” creator Julian Fellowes, “The Chaperone” appears to be targeting men and women above the age of 60. And while that’s a demographic as worthy of attention as any, those same viewers deserve a theatrical experience that doesn’t feel created for small-screen tidiness and flatness.

Adapted from Laura Moriarty’s best-selling novel, “The Chaperone” follows the rise of silent-film star Louise Brooks (Haley Lu Richardson). But before acting, it was dancing, first in Kansas, where Louise was born and raised, and then in New York City. The film spends most of its time on Louise’s summer adventure in the big city, where she is accompanied by Norma (Elizabeth McGovern), the titular caretaker.

Their dynamic is probably what you expect from a coming-of-age period drama: Louise is young and free-spirited, eager to be away from her cookie-cutter small town. She’s a skilled dancer and knows it.
See full article at The Wrap »

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