Hell-bent upon finding evidence of ancient monsters in the modern world (often by exploring how they continue to be reflected in the raw stuff of human nature), Larry Fessenden
launched his filmmaking career with a Frankenstein story, and he’s been working his way back to the subject ever since. Traces of Mary Shelley
’s mad science can be found in many of the low-budget horror movies that his Glass Eye Pix has produced since 1985, and they’re even more apparent in the ones that he’s directed: From the ecological hubris of “The Last Winter
” to the monster-is-us mythicism of “Wendigo
” and the selfishness that percolates beneath all of his narratives and bubbled to the surface in “Beneath
,” each of his features has dissected a severed limb from Shelley’s foundational story.
” — which is perhaps both his least expensive and most ambitious movie — Fessenden sews his entire body of work together.