Cannes Correspondences #3: When Push Comes to Shove

The Notebook is covering Cannes with an on-going correspondence between critic Leonardo Goi and editor Daniel Kasman.BacarauDear Leo,Something is definitely in the air at Cannes this year. As is already seen in the competition across three different kinds of films, Jim Jarmusch’s The Dead Don’t Die (droll zombie comedy), Ladj Ly’s Les misérables (social realist policier), and Kleber Mendonça Filho and Juliano Dornelles’s Bacurau (a rural siege film), the early days of the festival have been suffuse with an atmosphere of acrid anger and desperation. Jarmusch only partially disguises his grim state-of-the-union pessimism in the rumpled costume of mordant humor and deadpan reactions to the appearance of the living dead. The Dead Don't Die's purposefully stilted airlessness hovers between ironic pastiche and normalcy, like some of the unsettlingly blasé moments of Twin Peaks: The Return. The film feels like being in quicksand, the
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