Elia Suleiman’s Message Is Lost In Often Magical ‘It Must Be Heaven’ [Cannes Review]

Cannes – Elia Suleiman has made very few films over his career. In truth, “It Must Be Heaven,” which premiered at the 2019 Cannes Film Festival, is only his fourth film since 1996. When he does release new work, however, it’s always a reminder of what wondrous filmmaking talents he posses. That’s what makes the end result of his latest film so puzzling.

Read More: 2019 Cannes Film Festival: The 21 Most Anticipated Movies

Suleiman plays himself in the picture, but unless you recognized him from an interview or previous films you wouldn’t realize that until about halfway through.

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