Cannes Correspondences #12: Portraits of Artists on Fire

The Notebook is covering Cannes with an on-going correspondence between critic Leonardo Goi and editor Daniel Kasman.Pain and GloryDear Danny, Few things feel as sad as the end of a festival, and as I begin to look back at my first year in Cannes, crouched inside a bus that’s gliding past seaside towns, East-bound, the post-Croisette spleen fills the air with the memories of the past two weeks—sounds and images that feel almost unfairly beautiful now the Palais and the festival around it is miles past me already. And while it may still be too early to give in to rankings, of all the great many things I’ve been able to sit down and watch the past couple of weeks, there are two I trust will stay in me longer than any others, two spell-binding moviegoing experiences which, coincidentally, took place on my very last festival day—yesterday.
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