Wavelengths 2019, Program Three: Memory Traces

It is a lamentable fact that the historical avant-garde in North America was, against all odds, even more chauvinist and provincial than its counterparts across the commercial narrative cinema, whether in Hollywood or the arthouse. And while the situation for new work is undoubtedly improving, much remains to be done to recover the often buried histories of film beyond the accepted routes of circulation, to ensure that our institutional memories are not allowed to remain so riddled with gaps. Sunday evening’s screening began with one such intervention: the first presentation outside of South Korea of 2minutes40seconds, coming more than four […]
See full article at Filmmaker Magazine »


Recently Viewed