During 2019’s Best of the Decade listicle blitzkrieg, amid all the rancorous wrangling over rankings, a few truths emerged: Paul Thomas Anderson
needs to clone himself; a depressing number of people are willing to die on the “the new decade begins in 2021” hill; and Kirsten Johnson
’s “Cameraperson” is absolutely one of the pinnacles of the recent and ongoing “Golden Age of Documentary” (it’s a top 10 title on our own Best Documentaries of the Decade list).
Continue reading ‘Dick Johnson Is Dead
’: Director Kirsten Johnson Returns With A Witty, Bright-Eyed Doc [Sundance Review] at The Playlist.